Over There: War Scenes on the Western Front, by Arnold Bennett
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Over There: War Scenes on the Western Front, by Arnold Bennett
Best PDF Ebook Online Over There: War Scenes on the Western Front, by Arnold Bennett
Arnold Bennett was a prolific British writer who penned dozens of works across all genres, from adventurous fiction to propaganda and nonfiction. He wrote plays like Judith and historical novels like Tales of the Five Towns.
Over There: War Scenes on the Western Front, by Arnold Bennett- Published on: 2015-11-25
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .13" w x 6.00" l, .19 pounds
- Binding: Paperback
- 56 pages
About the Author Enoch Arnold Bennett, the son of a solicitor, was born in Hanley, Staffordshire in 1867. He was educated locally and at London University, before working initially as a solicitor's clerk, but soon turned to writing popular serial fiction and editing a women's magazine. After the publication of his first novel, 'A Man from the North' in 1898 he became a professional writer and some of his best and most enduring and acclaimed work, including 'Anna of the Five Towns', 'The Old Wives' Tale', 'Clayhanger', 'The Card' and 'Hilda Lessways' followed over the next twelve years. Soon after the outbreak of the First World War, Bennett was invited to join the War Propaganda Bureau, concerned with finding ways of best promoting Britain's interests. He was in good company, as others who contributed to this effort included Conan Doyle, John Masefield, G. K. Chesterton, Sir Henry Newbolt, John Galsworthy, Thomas Hardy, Rudyard Kipling, Gilbert Parker, G. M. Trevelyan and H. G. Wells. Bernard Shaw knew nothing of the Bureau, but attacked what he believed to be jingoistic articles and poems being produced by British writers. Bennett was the one chosen to defend their actions. He served on a War Memorial Committee at the invitation of the then Minister of Information, Lord Beaverbrook, and was also appointed director of British propaganda in France. His spells in Paris added to his reputation as a man of cosmopolitan and discerning tastes. After the War he inevitably returned to writing novels and also became a director of the 'New Statesman'. Bennett's great reputation is built upon the success of his novels and short stories set in the Potteries, an area of north Staffordshire that he recreated as the 'Five Towns'. 'Anna of the Five Towns' and 'The Old Wives' Tale' show the influence of Flaubert, Maupassant and Balzac as Bennett describes provincial life in great detail. Arnold Bennett is an important link between the English novel and European realism. He wrote several plays and lighter works such as 'The Grand Babylon Hotel' and 'The Card'. Arnold Bennett died in 1931.
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8 of 8 people found the following review helpful. Outstanding writing By Melanie I wish this book had been three times as long. Bennett has the ability to describe the most horrible scenes in language that is truly poetic. I am currently rereading the book. His style has spoiled me. It starts off a little slowly, but as he reaches the front, describes the towns devastated by the war, comments on the pathetic rationale of the "Bosch" for their invasion of France, it grabs you. I recommend it highly.
4 of 4 people found the following review helpful. Transforming experience By Philip Spires Over There: War Scenes On The Western Front by Arnold Bennett clearly sets out to offer a mildly propagandist view of the First World War. Within a few pages of the start of its survey of sites of recent action in France and Belgium, we have learned that - apparently immutably - on the one hand France and its culture represent just about the pinnacle of human achievement, while on the other everything German is barbaric, aggressive and wantonly destructive. But by the end of the book, even Arnold Bennett seems no more than merely exhausted, merely bombed-out, like the skeletal remains of the city of Ypres he was then describing. It is this transformation through the progress of this short book that makes it still worth reading.Where Vera Brittain's Testament Of Youth sees the consequences of the first World War's conflict in generally human terms, Arnold Bennett approaches his descriptive task with the sentiment and mission of a propagandist. He was there to fly the flag, there is no doubt. But he had already lived for several years in France and was also a professional journalist. Over There: War Scenes On The Western Front is therefore less of a personal reflection and more of an attempt to provide a - theoretically, at least - dispassionate, if committed and one-sided view of the conflict.Today, passages that scorn German tactics because they seem bent on the destruction of architectural heritage read as merely quant. We all know that the reality of war demands destruction, especially of symbols of power and identity. As an example, one wonders what the strategic value was of bending flat a grotesquely over-sized metal Saddam Hussein? Precisely none, since this was clearly an act driven by its symbolism. We also know that scruples are not ammunition in war and that defenders and aggressors alike often hide behind the communally sacrosanct, first for potential cover and second for the potential propaganda value should the first aim fail. When Arnold Bennett expresses anger at German shelling of Gothic cathedrals in places such as Rheims, one wonders, given the opportunity, what he might have made of carpet bombing of German cities in World War Two? We know that his view would have remained partisan, but such a stance was only to be expected, given his journalistic associations and the politics of his employers.It is when Arnold Bennett is touring the destroyed city of Ypres that the doubts really begin to surface. Bennett was a believer in the worth of everyday experience. As a novelist he at least aspired to the basing of his work on quite ordinary lives, believing them to be inherently of interest because of their simple humanity. In Ypres he describes the wrecked houses of ordinary people who were forced out, bombed out, chased away or merely killed. Questions clearly arise in his mind about the nature of war, but they never quite become explicit enough to demand answer.Over There: War Scenes On The Western Front by Arnold Bennett is a short book that is worthy of re-reading today for two reasons. One is Arnold Bennett's journalistic ability to describe what he saw. Through this he is able to provide a vivid and reasonably accurate account of day-to-day warfare in the trenches. But secondly, Arnold Bennett writes from the committed, partisan position of a man of his times. There is no detachment in his view, only commitment and conviction. This reminds us that in times of war, at least for the protagonists, there is no scope for detachment, since taking sides is part of the action.
2 of 2 people found the following review helpful. Short, But A Great Read By rakkasan3_187 This was very well-written, in a romantic style. At times, the author romanticizes war, then vilifies it. Not that he is confused, I think that's how they related to things in that period.It still amazes me, and angers me, as a Belgian, how Germany managed to survive as a nation. To call them brutes or barbarians and murderers is not enough. What they perpetrated on Europe in two world wars is beyond comprehension. After viewing the wanton, unnecessary, almost childish destruction caused by the retreating Germans, the author actually hopes that one German city will be levelled entirely, as punishment, retribution, and as a lesson to future Germans that wars of expansion in Europe are unwanted and will be avenged. This did not happen.Author tours the French and British trenches and rear areas, giving amazing insight into the French military psyche at the time. That part, I enjoyed the most. People who ridicule French military prowess have no idea of what they speak, and are, certainly, no students of history.
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