Kamis, 27 September 2012

The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

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The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas



The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

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Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. ON the thirteenth of May, 1770, Paris celebrated the wedding of the Dauphin or Prince Royal Louis Aguste, grandson of Louis XV. still reigning, with Marie-Antoinette, Archduchess of Austria. The entire population flocked towards Louis XV. Place, where fireworks were to be let off. A pyrotechnical display was the finish to all grand public ceremonies, and the Parisians were fond of them although they might make fun. The ground was happily chosen, as it would hold six thousand spectators. Around the equestrian statue of the King, stands were built circularly to give a view of the fireworks, to be set off at ten or twelve feet elevation. The townsfolk began to assemble long before seven o’clock when the City Guard arrived to keep order. This duty rather belonged to the French Guards, but the Municipal government had refused the extra pay their Commander, Colonel, the Marshal Duke Biron, demanded, and these warriors in a huff were scattered in the mob, vexed and quarrelsome. They sneered loudly at the tumult, which they boasted they would have quelled with the pike-stock or the musket-butt if they had the ruling of the gathering.

The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

  • Amazon Sales Rank: #6894422 in Books
  • Published on: 2015-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .92" w x 6.00" l, 1.19 pounds
  • Binding: Paperback
  • 368 pages
The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

About the Author One of the most widely read French authors in history, Alexandre Dumas is best-known for his iconic classic The Three Musketeers, as well as for The Count of Monte Cristo, and the two Musketeer sequels Twenty Years After and The Vicomte de Bragelome: Ten Years Later. Dumas began his writing career as a successful playwright, and later evolved to writing magazine articles and travel books, before extending his talents to fiction. His work has been translated into over one hundred languages and has been the subject of nearly two hundred film adaptations that include talent as varied as Leonardo DiCaprio, James Whale, and Mickey Mouse.


The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

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The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas
The Mesmerist's Victim; Or, Andrea De Taverney.: A Historical Romance, by Alexandre Dumas

Minggu, 23 September 2012

Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant

Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant

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Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant

Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant



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Cat and Dog is a comic created by the Grant family, as well as other contributors. This is the first installment in the series but there will be more coming. This book was written and Illustrated by Liam Grant, full of humor and suitable for all ages. Cat and Dog was originally created as a small family joke, and has now been republished. We hope you enjoy!

Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant

  • Amazon Sales Rank: #2620493 in eBooks
  • Published on: 2015-11-06
  • Released on: 2015-11-06
  • Format: Kindle eBook
Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant


Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant

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0 of 0 people found the following review helpful. Read it and laugh! By Amazon Customer Extremely funny and clever

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Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant
Cat and Dog Issue #1: Instant Monster Powder: Cat and Dog, by Liam Grant

Sabtu, 22 September 2012

The Light at Land's End, by A M Anderson

The Light at Land's End, by A M Anderson

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The Light at Land's End, by A M Anderson

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The Light at Land's End, by A M Anderson

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"Anderson's local knowledge, political convictions, and imagination combine to create a surreal roller coaster guaranteed to have you hooked. The Light At Land's End grabs you by the eyeballs and drags you on a seedy journey through Latin America's underbelly." Gayle Alain.... When memories of his fiancées betrayal become too much for young pill addicted Jacob Riley to bear, he decides to run as fast as he can from his life in Colorado towards Mexico. The Light At Land's End is the harrowing tale of one man's flight to reclaim his life. Set across four countries, full of Latin American flavor, mixed with a lethal dose of drugs, alcohol, violence, and a lot of despair, it's not for the faint hearted. But if you can handle the ride, it will open your eyes, break your heart, and finally, give you hope.

The Light at Land's End, by A M Anderson

  • Amazon Sales Rank: #2992904 in Books
  • Published on: 2015-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.81" h x .47" w x 5.06" l, .45 pounds
  • Binding: Paperback
  • 206 pages
The Light at Land's End, by A M Anderson


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0 of 0 people found the following review helpful. Pleasantly Surprised! By James Bellows Pleasantly surprised to call this a page turner! I chose this book because I was searching for fiction about Latin America and the blurb sounded interesting. Usually with first time self published authors you can expect plenty of grammar errors but this was very well written and edited. The story draws you in, making you want to know whats going to happen next. It can be a bit dark at times, and one must have a stomach for drugs and violence, but I found this is all lightened up and at many times amused by the narrators self deprecation and outlook. A highly recommended book that I would be surprised not to see on bookstore shelves one day.

0 of 0 people found the following review helpful. My new favorite book of all time By Sergio fuentes If I had to describe this book with one word it would be "chingon". My new favorite book of all time. An amazing drugged fueled, heart brake story that will keep you glued to the pages. Once I started this book I had to finish it the same day and I'm not a fast reader. I would recommend this book to anyone.

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Jumat, 21 September 2012

El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

Book lovers, when you need a new book to check out, locate guide El Príncipe Feliz (Biblioteca Oscar Wilde) (Spanish Edition), By Oscar Wilde below. Never worry not to discover what you need. Is the El Príncipe Feliz (Biblioteca Oscar Wilde) (Spanish Edition), By Oscar Wilde your required book currently? That's true; you are actually an excellent visitor. This is an ideal book El Príncipe Feliz (Biblioteca Oscar Wilde) (Spanish Edition), By Oscar Wilde that comes from fantastic writer to show you. The book El Príncipe Feliz (Biblioteca Oscar Wilde) (Spanish Edition), By Oscar Wilde supplies the very best encounter and also lesson to take, not just take, but additionally discover.

El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde



El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

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El protagonista de la historia es la estatua dorada de un príncipe llena de valiosos adornos, que se encuentra en lo alto de una columna desde donde puede ver toda la ciudad; y una golondrina, que ha retrasado su migración a Egipto por haberse enamorado de un junco. La golondrina se posa sobre la estatua y ve que el príncipe está llorando a causa de las injusticias que puede observar desde su posición, pues cuando vivía siempre le hicieron creer que todo el mundo era feliz y le habían ocultado que también había gente que tenía problemas, y ahora desde allí arriba podía ver la triste realidad, realidad que es confirmada por la golondrina de la cual se hace gran amigo de ella día a día, pues le ayudara en su misión de ir ayudar a los más necesitados. Entonces le pide a la golondrina que arranque y entregue a los más necesitados las joyas que le adornan. El ave así lo empieza a hacer y al final se queda con el príncipe ayudándolo en su misión de ayudar a los más desfavorecidos, distribuyendo las joyas hasta que al final la estatua queda completamente desprovista del oro y adornos. Pero el invierno recrudece y la golondrina, a causa del frío, muere besando al príncipe en los labios. Al ver esto, el corazón de la estatua se rompe. Al poco tiempo, el alcalde de la ciudad observó el estado deteriorado de la estatua, y da orden de que sea retirada y fundida. Sin embargo, el corazón del príncipe no se funde en el horno, y lo arrojan al basural, donde descansa también el cadáver de la golondrina. Estos son tomados al cielo por un ángel que les ha considerado las dos cosas más preciosas de la ciudad por Dios, para que puedan vivir para siempre en su ciudad de oro y el jardín del paraíso.

El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

  • Amazon Sales Rank: #6658163 in Books
  • Published on: 2015-11-03
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x .8" w x 6.00" l, .12 pounds
  • Binding: Paperback
  • 28 pages
El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

About the Author Oscar Wilde was born on October 16, 1854, to the Irish nationalist and writer Speranza Wilde and the doctor William Wilde. After graduating from Oxford in 1878, Wilde moved to London, where he became notorious for his sharp wit and flamboyant style of dress. Though he was publishing plays and poems throughout the 1880s, it wasn t until the late 1880s and early 1890s that his work started to be received positively. In 1895, Oscar Wilde was tried for homosexuality and was convicted and sentenced to two years in prison. Tragically, this downfall came at the height of his career, as his plays, An Ideal Husband "and The Importance of Being Earnest, "were playing to full houses in London. He was greatly weakened by the privations of prison life, and moved to Paris after his sentence. Wilde died in a hotel room, either of syphilis or complications from ear surgery, in Paris, on November 30, 1900.


El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

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1 of 1 people found the following review helpful. Probablemente la mejor traducción de estos cuentos de Wilde... By ModernistCorgi Este libro contiene muy pocos cuentos de Oscar Wilde: "El gigante egoísta", "El ruiseñor y la rosa" y "El príncipe feliz". Pero en su defensa, la traducción es de primerísimo nivel y las ilustraciones son maravillosas. Éste es un libro que los adultos atesoraran y que los niños encontrarán maravillosos si aprenden a leer a temprana edad.Por mi parte, yo lo compré por primera vez en el 2004 y ahora, nuevamente, ordené otra edición en pasta dura para mi colección personal pues el primero ha sufrido los estragos del paso del tiempo.Lo recomiendo ampliamente.

0 of 0 people found the following review helpful. Muy bella historia By gabriela El pricipe feliz es una muy bella historia, con una profunda enseñanza para todas las edades.La pluma delicada de Oscar Wilde se aprecia en toda su magnitud.

0 of 0 people found the following review helpful. Excelente mensaje By Amazon Customer Deja un buen mensaje , me gustó la manera que la golondrina se aferró al príncipe y el tipo de recompensa que estos tuvieron por hacer el bien.

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El príncipe feliz (Biblioteca Oscar Wilde) (Spanish Edition), by Oscar Wilde

Abbe Mouret's Transgression, by Emile Zola

Abbe Mouret's Transgression, by Emile Zola

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Abbe Mouret's Transgression, by Emile Zola

Abbe Mouret's Transgression, by Emile Zola



Abbe Mouret's Transgression, by Emile Zola

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Émile Zola is one of the greatest writers of the 19th century, and one of France’s best known citizens. In his life, Zola was the most important exemplar of the literary school of naturalism and a major figure in the political liberalization of France. Around the end of his life, Zola was instrumental in helping secure the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, a victim of anti-Semitism. The Dreyfus Affair was encapsulated in the renowned newspaper headline J'Accuse.More than half of Zola's novels were part of this set of 20 collectively known as Les Rougon-Macquart. Unlike Honore de Balzac, who compiled his works into La Comedie Humaine midway through, Zola mapped out a complete layout of his series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable Rougons and the disreputable Macquarts for five generations. Zola explained, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world." 

Abbe Mouret's Transgression, by Emile Zola

  • Amazon Sales Rank: #6188354 in Books
  • Published on: 2015-11-25
  • Original language: English
  • Dimensions: 9.00" h x .55" w x 6.00" l,
  • Binding: Paperback
  • 240 pages
Abbe Mouret's Transgression, by Emile Zola

About the Author ?mile Zola was a French writer who is recognized as an exemplar of literary naturalism and for his contributions to the development of theatrical naturalism. Zola s best-known literary works include the twenty-volume Les Rougon-Macquart, an epic work that examined the influences of violence, alcohol and prostitution on French society through the experiences of two families, the Rougons and the Macquarts. Other remarkable works by Zola include Contes ? Ninon, Les Myst?res de Marseille, and Th?r?se Raquin.

In addition to his literary contributions, Zola played a key role in the Dreyfus Affair of the late nineteenth and early twentieth century. His newspaper article J Accuse accused the highest levels of the French military and government of obstruction of justice and anti-semitism, for which he was convicted of libel in 1898. After a brief period of exile in England, Zola returned to France where he died in 1902. ?mile Zola is buried in the Panth?on alongside other esteemed literary figures Victor Hugo and Alexandre Dumas.


Abbe Mouret's Transgression, by Emile Zola

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1 of 1 people found the following review helpful. Paradise gained and lost By H. Schneider Zola's 20 volumes Rougon-Macqart series is full of surprises. The novel called `La Faute de l'abbé Mouret' is sparsely populated and almost non-historical. It is set in the time frame of the Second Empire, but purely by its place in the generations chart: the abbé is Serge Mouret, a grandson of the founders of the Rougon-Macquart clan (see vol.1). Serge lives with his retarded sister Desirée. His uncle gets involved with the plot, Doctor Pascal Rougon, who could be seen as Zola's idealized self-portrait. Actually, the family tree of the Rougon-Macqart, which is included in some of the 20 volumes, is said to have been put together by Pascal.There have been different translations of the book, and different titles: it has been called The Abbé's Sin or Abbé Mouret's Transgression, or the Sinful Priest. It is almost surprising to see that Zola himself used the harmless word `faute'= mistake. It may be a programmatic statement: what others call `sin' is in his eyes nothing more than a mistake by the rules of their, the clergy's game. Zola rejects their standards.The book is one of Zola's attacks on priesthood and church. While the Conquest of Plassans, the 4th volume, is about a politically scheming priest in the service of Bonapartism, the 5th is about nothing but the eternal fight between religion (chastity, celibacy, asceticism, civilization?) and nature. More than one book has been written about priests who fall from their vows into women's arms, or men's. This is what happens to our title hero: due to unusual events he finds himself in a paradise- like environment alone with a young woman, and nature takes its course. Things can't go well forever of course and the harshness of church discipline rules in the end, at the expense of a more human world.The book is organized in three parts of equal length: part 1 shows the priest in his `normal' world, doing his job in a miserable parish in the Provence, frequently celebrating mass alone. The parishioners are vine and olive growers who have other things on their minds. They are an inbred lot in an isolated region. Serge himself is happy with this state of the matter; he has from his mother an intense need for religious devotion (see vol.4) and an abhorrence for real life. Even his sister scares him: she is totally devoted to her menagerie of chickens, pigeons, geese, ducks, turkeys, rabbits, cats, goats, pigs... Serge has a phobia of everything related to blood and feces and whatever else is involved in body functions. He combines his fear of sex, of woman, with a deep and mystic devotion to the virgin. Mary is Eve reborn and beating Satan. We learn that Serge has had bouts of fever in the past and a new attack sets on at the end of part 1. We watch how Mary turns in his hallucinations into Albine, a young girl of the neighborhood who has been troubling him. Deep irritation at first sight. Normal people call it love or at least lust.Serge is all in all a good but weak and pitiable man. To give us a target for negative sentiments, Zola introduces a stern, judgmental, misogynic monk, a man who will accuse the virgin cult of undermining good manly discipline. Of the farmers in the village, this harsh man says that they like to `forniquer avec la terre' in broad daylight. (This subject and image is taken up again in a later volume, La Terre.)On a skeptical footnote: one should not make the mistake to interpret either Serge or his pal as typical village clergy. I am sure that there are plenty of practical priests in the Catholic world, who don't have Serge's kind of mental disease, nor the other's unfriendliness. It is always a questionable approach to use unusual characters for an attack on a system.Part 2 is the paradise/ sin part. It is pure fable, chapters of Genesis re-interpreted. Serge is recovering from a brain fever and is taken care of by young Albine. His recovery is slow. He has partial amnesia. The build up of physical relations is childlike and slow as well, like a puberty process. The naïve young couple is hard on our nerves with their constant enthusiasm.The place is a jungle, a former garden and park left decades ago to its own devices. Zola excels in poetic inventories. This one reminds of the greenhouse chapters in vol.2, La Curée. We get flowers and orchards and wild trees, it is a veritable botanical Noah's Ark.There are no other people in this world but Serge and Albine. Life is frankly great and the two play Adam and Eve. This goes on until she actually seduces him to come to a forbidden place with her, where nature conspires to make them commit `the fault', where after they feel wrong about being naked. The evil monk turns up, impersonates God, and the eviction from paradise follows.I was wondering: why was that place `forbidden'? There are forces at work that are not explained. We realize that this artificial paradise is no South Sea island as far as sexual mores are concerned. Was Zola himself stuck in the paradigm of guilt?Another skeptical footnote: I question the realism of the abundance of wild species after decades of wilderness. Has any botanist commented on it? I would expect that in reality things would not go on proliferating quite like that. Some species would dominate, others would disappear. There would hardly be a productive general free for all. Would there?And one more: while Zola often pays much attention to what his people eat, that aspect is oddly neglected here. We have some fruit eating orgies, fresh from the tree, but this is Europe after all, not a tropical paradise. There is such a thing as winter. Not all fruits grow always anyway. What do they eat when the cherries do not fall into their mouths?Bread is mentioned, but who bakes it? Fish is getting caught, but there is no fire.Conclusion: this is not meant to be `naturalism', despite all the botanical listing. This is pure fable, and never mind the technicalities.Part 3 is repentance and rebellion. The evil monk gets to set his foot down. His appropriate name is Archangias. He sees himself as God's gendarme. Paradise was an illusion. Serge abandons his female love and returns to his hard master, his God. He sinks into deeper exaltation and masochism. But he also resists and yearns to be back. He can't handle the conflict.Wise Doctor Pascal blames himself for the disaster he brought upon Albine by letting her care for Serge and philosophizes about Desirée's blessed dimness with her animals.Is it possible to see this as anything else but a strongly emotional anti-religious pamphlet?

1 of 2 people found the following review helpful. The Birth of "magic Realism" from the Head of Emile Zola By Gio I've just finished La Faute de l'Abbé Mouret, with great labor since it's stuffed with exotic vocabulary, most of it the names of plants/weeds/trees/flowers. Finally I realized that I had no idea what the specified flowers looked like or smelled like in English, so whenever I grasped that the unknown word was the name of another flower, I just sucked it up and accepted my own vague ignorance of nature. Then it went faster.And what a stunner! What a blind-side surprise! Old Zola invented the essence of Magic Realism long before the term was added to the critical lexicon, perfected it, exhausted it so that none of the later proponents of it had any chance of equaling him. "Faute" is completely unlike any other Zola novel. In fact, it's more a rapturous allegory than a novel by any usual definition. Take it on! I won't spoil it by any hints or evaluations until you've read it.Meanwhile, I find one previous review by the ever-insightful Herr Schneider, with whom I made a pact years ago to read all of Zola in French. Alas, he's far ahead of me. That we both relish this book amounts to a very strong recommendation.Je viens de finir La Faute de l'abbé Mouret, avec beaucoup de travail car il est bourré de vocabulaire exotique, la plus grande partie des noms de plantes / herbes / arbres / fleurs. Enfin, je compris que je ne savais pas ce que les fleurs spécifiées ressemblaient ou sentait en anglais, de sorte que chaque fois que je compris que le mot inconnu était le nom d'une autre fleur, je viens aspiré vers le haut et accepté ma propre ignorance vague de la nature. Ensuite, il est allé plus vite.Et qu'est-ce un produit étonnant! Quelle surprise aveugle côté! Vieux Zola inventé réalisme magique, perfectionné, épuisé de sorte qu'aucun des partisans ultérieures qu'il avait une chance de l'égaler. "Faute" est complètement différent de tout autre roman de Zola. En fait, il est plus une allégorie extatique d'un roman de toute définition habituelle. Prenez-le! Je ne vais pas la gâcher par des conseils ou des évaluations jusqu'à ce que vous l'avez lu.

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Rabu, 19 September 2012

Escaping Yesterday, by Pamela Nowak

Escaping Yesterday, by Pamela Nowak

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Escaping Yesterday, by Pamela Nowak

Escaping Yesterday, by Pamela Nowak



Escaping Yesterday, by Pamela Nowak

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In 1905, Lottie Chase arrives in Denver with her ten-year-old daughter, Elsa,after fleeing her abusive uncle in New York. She secures a job at Elitch’sGardens, one of the city’s new amusement parks. Everything would be perfect ifit weren’t for the garden manager, Caleb Hudson. Cared for by park co-owner MaryElitch Long since he was a boy, Caleb is fiercely protective and fears thatLottie plans to take advantage of the Longs. But a series of dramatic eventsbrings the two closer, and together they endure an attack on Lottie, extortion,and the arrival of Lottie’s uncle. Lottie realizes the only way to save herrelationship with Caleb and protect Elsa from her uncle is to face her past…

Escaping Yesterday, by Pamela Nowak

  • Amazon Sales Rank: #493983 in eBooks
  • Published on: 2015-09-16
  • Released on: 2015-09-16
  • Format: Kindle eBook
Escaping Yesterday, by Pamela Nowak

Review "Pam Nowak's Escaping Yesterday, with its fresh setting and memorable characters, is an entertaining page turner. I thoroughly enjoyed it."--Jill Marie Landis on Escaping Yesterday

About the Author Pamela Nowak's most recent novel, Changes, received the 2014 Colorado Book Award for genre fiction and a HOLT Medallion Award of Merit. Previous honors include the HOLT Medallion and HOLT Medallion Finalist Award, a WILLA Finalist Award, a listing among the "Top Ten Romance Novels of 2008" by Booklist, and being named the Rocky Mountain Fiction Writers' 2010 Writer of the Year. Pam has been in love with history and rich characters for most of her life. She has a B.A. in history, has taught history to prison inmates, served as project manager for the Fort Yuma National Historic Site and run a homeless shelter. Pam and her partner, Ken, live in Denver.


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0 of 0 people found the following review helpful. Fine Novel Appropriately Titled By Jacqueline Seewald Each of Pamela Nowak’s novels is a quality book. Escaping Yesterday is no exception. The year is 1905. Lottie Chase leaves the New York home of her sexually abusive Uncle Edward and cruel Aunt Aggie, taking her ten-year-old daughter Elsa with her. Elsa is the child of the sexual abuse forced on Lottie when she was not much older than her daughter. Lottie has understandably confused feelings about her sexuality but she is a brave, intelligent young woman determined to make a new life for herself and her child. Caleb Hudson is also emotionally wounded. He suffers from post traumatic stress syndrome brought about during his service in the Spanish-American War.Lottie and Caleb are attracted to each other but also at odds. Lottie is a go-getter and wants a permanent job at Elitch Gardens (a real-life Denver amusement park). Caleb is suspicious of her desire and ideas for change. The characters are well-developed, realistic and sympathetic. Nowak’s research is impeccable. She doesn’t info dump but creates a true picture of the people and the times as well as the park itself.This is not a formula romance but an excellent novel that readers will want to enjoy more than once because it is so well-written. I highly recommend it.

0 of 0 people found the following review helpful. Pamela has written another great historical romance By Michele sorrell Pamela has written another great historical romance. The characters come alive with authentic dialect and voice from the time period. Lottie is shown to endure many of the same injustices as young women today including sexual molestation, family secrets, and trying to be all the society expects her to be. Pamela has shown great representation of Lottie as a historical woman dealing with issues we can relate to today. Caleb is dealing with PTSD but since it was not given a name or a diagnosis at that time in history, the reader is drawn in to the struggles of military both today and in the past. Reading some of the true history of Elitch's gardens inspired me to want to know more about the history of the gardens, and more about the history of carousels. Thank you Pamela! Can't wait for the next book!

0 of 0 people found the following review helpful. A lovely peek into the past! By Ashley O'Melia A wonderful story about redemption, love, adventure, sacrifice, and family. I was intrigued by the time period and the place (I used to live in Colorado). The characters were very well developed, with great backstories and dialogue.

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Jumat, 14 September 2012

Leaves, by John Simmons

Leaves, by John Simmons

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Leaves, by John Simmons

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Leaves, by John Simmons

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A literary debut about a 1970s community and all its contradictions “A yell became an intrusion of privacy. Was this a clamouring for entry into houses . . . or lives? Looking on then, looking back now, I wish I could have been more definite. It might have made me a different, better person, a player not a spectator.” Ophelia Street, 1970. A street like any other, a community that lives and breathes together as people struggle with their commitments and pursue their dreams. It is a world we recognize, a world where class and gender divide, where set roles are acknowledged. But what happens when individuals step outside those roles, when they secretly covet, express desire, pursue ambitions—even harm and destroy? An observer in the midst of Ophelia Street watches, writes, imagines, remembers, charting the lives and loves of his neighbors over the course of four seasons. And we see the flimsily disguised underbelly of urban life revealed in all its challenging glory. As the leaves turn from vibrant green to vivid gold, so lives turn and change too, laying bare the truth of the community. Perhaps, ultimately, we all exist on Ophelia Street.

Leaves, by John Simmons

  • Amazon Sales Rank: #6764662 in Books
  • Published on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .70" w x 5.00" l, .0 pounds
  • Binding: Paperback
  • 256 pages
Leaves, by John Simmons

Review 'John's writing is both precise and lyrical - and he takes us on a compelling journey with the deceptive skill of a master storyteller.'
Rob Williams, screenwriter 'John Simmons is a wordsmith. In Leaves he casts a forensic eye on a small corner of north London and on the lives that were lived there. It is a memory novel, an excavation of time, place and people that draws the reader irresistibly into the 1970s world of Ophelia Street. His skill is to make the local feel universal in a novel that resonates far beyond the confines of its setting.' Gary McKeone, former Literature Director, Arts Council England; Chair, Poetry Archive 'The phrase 'a writer's writer' is overused but in John Simmons' case it is spot on: his sentences gleam and compel you to follow them.' John Mitchinson, co-founder QI and Unbound 'John Simmons is the best writer you think you haven't read. In fact he's one of the architects of the language of our daily lives. With his novel Leaves the secret is now out.' Caroline McCormick, former Director, PEN International

About the Author John Simmons runs writing workshops and retreats to teach creative writing. He is the author of Dark Angels, The Invisible Grail, and We, Me, Them & It.


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1 of 1 people found the following review helpful. What Evil Lurks? By Nancy A. "Memory grows plump in youth and wastes away to skin and bone."John Simmon's novel Leaves waited forty years to be published. The novel is set in North London in 1970, the year Simmons wrote the first draft. Simmons went on to forge a career teaching writing. Returning to his languishing novel after forty years Simmons rewrote it from the perspective of the narrator looking back to the events and people of Ophelia Street, a cul-de-sac of "pre-Raphaelite fancy" that had become a prison for occupants "straining to burst free from its hold."The narrator is a London newcomer, a journalist starting his first job. Over the year he lived on Ophelia Street the narrator observed and recorded the people of the street. Now after thirty years passing he tells us the story of Ophelia Street and the events that gave him the story that made his career.The inhabitants of the street seem ordinary at first glance. A young family, a brother and sister, grown men living with their mothers. A factory at the end of the street is owned by one family and employs others. There is a pub that brings men together and separates families. Children play on the streets. The street empties when summer vacations lure people to the sea shore.The book opens with the death of a stray dog which brings three people together to check out what had happened and to deal with the body. Over the year, as the leaves change, we learn more about the inner lives of the inhabitants. There is the death of a marriage and of several elderly people, the conception of a child, the murder of small animals and the murder of a child. At the end of the year almost everyone has left Ophelia Street which is to be torn down and replaced with modern dwellings.I had mixed feelings about the book as I read it. Early on it felt voyeuristic and recalled Rear Window by Alfred Hitchcock. The narrator tells us we are all being watched in the city. I also felt I understood the narrator and have been just as bad! My high school diary is full of observations about the people I knew, even down to my recording everything that happened during one study hour, who dropped a pencil, who passed notes, who set their head down and napped. The narrator justifies this as practicing journalistic observation. I will gladly accept that understanding!The structure is complicated. The author has written a narrator whose story is told in both in real time (30 years later) and in real time (1970) with dialogue, action, and descriptions of people's inner thoughts and feelings (circa 1970). It raises questions. Is the narrator a voice for the author? Is he a reliable narrator? How much has the narrator reconstructed the events of Ophelia Street based on imagination?There are mysterious and dark goings on but the reader is left to connect the dots. I actually appreciate that belief in the intelligence of the reader, although some readers will grouse that the mysteries were not 'solved'.Reviews talk about the beautiful writing and that is what drew me to request the book from NetGalley. Epigrams and quote-worthy sentences abound. "We all have a tendency to romanticise [sic: this is a British novel!] the past, particularly to romanticise our own past." "He suddenly realized how fragile was the glass of this friendship." And, "Ophelia Street was,"..."A place that had seen better and grander times. Like a once-fine ocean liner slumped on a deep sea bed, but breaking up, for better, for worse."I do wonder about the title, based on the changing seasons, when I would have thought that "Ophelia Street" would have better suited.I look around at my suburban street and wonder what secrets and horrors, loneliness and isolation, hopes and dreams reside in these houses? Is there a story to be told in every street? I sincerely hope we are quite boring.I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

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Kamis, 13 September 2012

The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version),

The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton

Are you actually a follower of this The Arabian Nights: Color Illustrated, Formatted For E-Readers (Unabridged Version), By Richard Burton If that's so, why don't you take this book currently? Be the very first individual that such as and lead this publication The Arabian Nights: Color Illustrated, Formatted For E-Readers (Unabridged Version), By Richard Burton, so you can get the reason and messages from this book. Don't bother to be perplexed where to get it. As the various other, we share the link to see as well as download and install the soft data ebook The Arabian Nights: Color Illustrated, Formatted For E-Readers (Unabridged Version), By Richard Burton So, you could not lug the printed book The Arabian Nights: Color Illustrated, Formatted For E-Readers (Unabridged Version), By Richard Burton anywhere.

The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton

The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton



The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton

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Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes. Includes: 15 Colored Illustrations and Biography The Book of the Thousand Nights and a Night (1885), subtitled A Plain and Literal Translation of the Arabian Nights Entertainments, is a celebrated English language translation of One Thousand and One Nights (the “Arabian Nights”) – a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age (8th−13th centuries) – by the British explorer and Arabist Richard Francis Burton (1821–1890). It stood as the only complete translation of the Macnaghten or Calcutta II edition (Egyptian recension) of the "Arabian Nights" until the Malcolm C. and Ursula Lyons translation in 2008. Burton's translation was one of two unabridged and unexpurgated English translations done in the 1880s; the first was by John Payne, under the title The Book of the Thousand Nights and One Night (1882–84, nine volumes). Burton's ten volume version was published almost immediately afterward with a slightly different title. This, along with the fact that Burton closely advised Payne and partially based his books on Payne's, led later to charges of plagiarism. Owing to the sexual imagery in the source texts (which Burton made a special study of, adding extensive footnotes and appendices on "Oriental" sexual mores) and to the strict Victorian laws on obscene material, both translations were printed as private editions for subscribers only, rather than being published in the usual manner. Burton's original ten volumes were followed by a further six entitled The Supplemental Nights to the Thousand Nights and a Night (1886–88). Burton's 16 volumes, while boasting many prominent admirers, have been criticised for their "archaic language and extravagant idiom" and "obsessive focus on sexuality"; they have even been called an "eccentric ego-trip" and a "highly personal reworking of the text". His voluminous and obscurely detailed notes and appendices have been characterised as “obtrusive, kinky and highly personal”. In 1982, the International Astronomical Union (IAU) began naming features on Saturn's moon Enceladus after characters and places in Burton's translation because “its surface is so strange and mysterious that it was given the Arabian Nights as a name bank, linking fantasy landscape with a literary fantasy”

The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton

  • Amazon Sales Rank: #112245 in eBooks
  • Published on: 2015-11-06
  • Released on: 2015-11-06
  • Format: Kindle eBook
The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton

Review "[A] book...that captivates in childhood, and still delights in age."

Language Notes Text: English (translation) Original Language: Arabic

From the Inside Flap Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries. These are the tales that saved the life of Shahrazad, whose husband, the king, executed each of his wives after a single night of marriage. Beginning an enchanting story each evening, Shahrazad always withheld the ending: A thousand and one nights later, her life was spared forever. This volume reproduces the 1932 Modern Library edition, for which Bennett A. Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. These tales, including Alaeddin; or, the Wonderful Lamp, Sinbad the Seaman and Sinbad the Landsman, and Ali Baba and the Forty Thieves, have entered into the popular imagination, demonstrating that Shahrazad's spell remains unbroken.


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125 of 129 people found the following review helpful. A magic carpet ride like no other By JLind555 Richard Burton's translation of "The Arabian Nights" is one of the oldest in existence and some people have a problem with this version; it's too old, antiquated, etc.; but for this reviewer, the very fact that it's an early translation lends the tales much of their charm; it underscores the fact that "The Arabian Nights" go back for hundreds of years, all the way back to "once upon a time". Richard Burton introduces us to Sharazad, that seductive storyteller who took the bull by the horns and dared to marry the sultan Shariyar who had been driven mad by the infidelity of his former wife and tried to exorcise the demons of her adultery by marrying a new wife every morning and slaying her that same night. Sharazad knows that a good tale can tame the savage beast much in the way music can, and she keeps the Sultan enchanted night after night with the tales that still enchant us in our own time. We all know about Aladdin and his magic lamp, and Ali Baba and the forty thieves, but there are loads of other treasures in this collection; my personal favorites, aside from Ali Baba, are the story of Ali the Persian (short, succinct, and very funny), and The Lady and Her Five Suitors, a hilarious tale of a woman who lures five men into a trap and then runs off with her boyfriend. And Sharazad, smart lady that she is, took care to insure her own future; not only does she regale her sultan with a thousand and one tales in as many nights, she also presents him with three children during that time, wins the heart of the sultan, and, we suppose, lives happily ever after.No one knows where the tales originated. Burton suggests that the earliest may date from the 8th century A.D., and the latest may have been as recent as the 16th century, only 200 years before Antoine de Galland translated the tales into French and unfolded them like a magic carpet before the astonished and delighted eyes of his European readers. Burton translated them into English in 1885 and they have been weaving their own spell of enchantment for us ever since. When we open "The Arabian Nights" we step onto our own magic carpet and we're off on a ride of fun and fantasy that lasts until the last page when we close the book and come back down, reluctantly, to earth.Judy Lind

63 of 66 people found the following review helpful. Burton, the Scholar and Adventurer, & The Arabian Nights By jf This is a phenomenal selection of the intricate web of fantasy commonly known as the "Arabian Nights."Captain Burton's translation remains contested amongst scholars for its subjective indulgement and commentary (among other things). Nevertheless, his was a critical and monumental 16-volume endeavor that brought to the English world the legendary tales Shahrazad told King Shahryar--who exectued his mistresses after one night so as to preserve fidelity--in order to remain alive. It proved the most comprhensive and entertaining, and stands as the definitive translation for many.But why should you bother with Burton, when you could go with Lane or Galland? As a reader, if your desire is to fully experience these tales as closely as possible in capturing that sense of adventure, excitement, of magic and morality that has fascinated imaginations for centuries, Burton's "plain literal translation" certainly dazzles and entertains, vividly, powerfully, without disappointment. You shall be drawn into the world of the thousand nights and a night, of Islam and Jinns, through Burton's archaic though eloquent diction--a part of the veil of fantasy--and his ample knowledge of Middle Eastern culture.The present edition offers a vital, "representative" selection of these neatly woven and intertwining tales in one volume.* Note: This can be fun, very enjoyable reading with patience, but the lack of paragraph breaks and the language may prove challenging for some.Also: the hardcover is definitely a better choice, as it has placed the selected footnotes on the bottom of the page they appear on rather than the back of the book - like the paperback.

70 of 75 people found the following review helpful. Wonderful tales and an excellent look at Arabic culture By bixodoido We are all familiar with the stories of Ali Baba, Aladdin, and Sinbad. But where did these tales come from? The answer lies in this wonderful (condensed) volume known as the 'Arabian Nights.'The story is of a woman, Scheherazade, who marries a king. The king's custom is to spend one night with a woman and execute her in the morning. To avoid this, Scheherazade tells him a tale, but leaves part of it unfinished, thus gaining the king's interest and insuring her survival for another day so she can finish the tale. Being clever, she never finishes it, but keeps it continuously going, until the king finally spares her life.The stories presented here, though often somewhat crude, have great moral lessons to be learned. The serve as a sort of moral reminder as to how a good person should act.When Richard Burton translated the Nights, he collected as many manuscripts as possible and pieced together the tales. Many had been created centuries earlier, and were often told during gatherings among friends. Burton, through his unparalelled knack for translation, managed to capture all the magic and mystery that are the Arabian Nights.Besides the delightful stories and good lessons to be learned, the Nights serve another purpose--they provide an intimate look at the culture of the time. By examining their legends, one can gain a basic understanding of how Arabic culture functions. There is as much to be learned about the people who tell these stories as there is from the stories themselves.I read this book for historical and cultural value, and found it to be abundant in both. Besides that, though, I encountered a mesmerizing set of tales which will be entertaining to any audience, even (after some revision and editing) children.

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The Arabian Nights: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Richard Burton

Selasa, 11 September 2012

The Three Partners, by Bret Harte

The Three Partners, by Bret Harte

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The Three Partners, by Bret Harte

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The Three Partners, by Bret Harte

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The sun was going down on the Black Spur Range. The red light it had kindled there was still eating its way along the serried crest, showing through gaps in the ranks of pines, etching out the interstices of broken boughs, fading away and then flashing suddenly out again like sparks in burnt-up paper. Then the night wind swept down the whole mountain side, and began its usual struggle with the shadows upclimbing from the valley, only to lose itself in the end and be absorbed in the all-conquering darkness. Yet for some time the pines on the long slope of Heavy Tree Hill murmured and protested with swaying arms; but as the shadows stole upwards, and cabin after cabin and tunnel after tunnel were swallowed up, a complete silence followed. Only the sky remained visible—a vast concave mirror of dull steel, in which the stars did not seem to be set, but only reflected.

The Three Partners, by Bret Harte

  • Published on: 2015-11-13
  • Original language: English
  • Dimensions: 9.61" h x .29" w x 6.69" l,
  • Binding: Paperback
  • 128 pages
The Three Partners, by Bret Harte


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1 of 2 people found the following review helpful. Enjoyable read. By Aaron M. Wilson Bret Harte followed in the footsteps of Mark Twain in chronicling the American west. Uses humor and rare insight into the rugged life of those pioneers.

1 of 2 people found the following review helpful. Two Stars By N. Johnson not much of a story.

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Senin, 10 September 2012

Sonny, a Christmas Guest, by Ruth McEnery Stuart

Sonny, a Christmas Guest, by Ruth McEnery Stuart

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A boy, you say, doctor? An' she don't know it yet? Then what 're you tellin' me for? No, sir—take it away. I don't want to lay my eyes on it till she's saw it—not if I am its father. She's its mother, I reckon!

Sonny, a Christmas Guest, by Ruth McEnery Stuart

  • Published on: 2015-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .19" w x 6.00" l, .26 pounds
  • Binding: Paperback
  • 80 pages
Sonny, a Christmas Guest, by Ruth McEnery Stuart


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2 of 2 people found the following review helpful. Be prepared for an Arkansas dialect that's easy to read By Barbara Bachner Be prepared for an Arkansas dialect that's easy to read, and be prepared to be swept up in the joy of a new father as he holds his newborn son for the first time. Throughout the book, the father speaks so lovingly of his wife and son that you'll fall in love with this simple man and his little family. The parents' great permissiveness with Sonny and Sonny's unique way of getting his education are quite fanciful, but for him, they worked. You'll find yourself in Sonny's corner. There is really very little conflict in this book, so if you like books based on conflict, this is not a book for you. I'm sure I'll remember this book for a very long time.

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Minggu, 09 September 2012

Confessions of a Caricaturist, by Oliver Herford

Confessions of a Caricaturist, by Oliver Herford

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Confessions of a Caricaturist, by Oliver Herford

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Not squirrels in the park alone His love and winter-kindness own. When Literary Fledglings try Their wings, in first attempt to fly, They flutter down to Franklin Square, Where Howells in his "Easy Chair" Like good Saint Francis scatters crumbs Of Hope, to each small bird that comes. And since Bread, cast upon the main, Must to the giver come again, I tender now, long overtime, This humble Crumb of grateful rhyme.

Confessions of a Caricaturist, by Oliver Herford

  • Published on: 2015-11-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .9" w x 6.00" l, .14 pounds
  • Binding: Paperback
  • 36 pages
Confessions of a Caricaturist, by Oliver Herford

About the Author Oliver Herford (1863-1935), a British-born American humor writer, artist, and illustrator, was the author of over 50 humorous books of light verse and prose. Once a frequent contributor to Ladies' Home Journal, Herford's best-selling book titles include "Rubaiyat of a Persian Kitten "(1904), "Cynic's Calendar "(1917), and "Excuse It, Please" (1930).


Confessions of a Caricaturist, by Oliver Herford

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0 of 0 people found the following review helpful. Has the verses but not the pictures, but the clever whimsy still makes it worth reading By Kindle Customer Oliver Herford was one of the most prominent caricaturists and comic writers of the late 19th and early 20th centuries in the United States. This little book has the verses but not the actual drawings of some of his favorite subjects. However, his verses are such clever fun that the book is still worth downloading.As examples, here's one that's purely silly:If you should ask me whether DanteDrank Benedictine or Chianti,I should reply, "I cannot say,But I can draw him either way."And another one that has several sly barbs against J. Pierpont Morgan, the banker who, like many of his peers, bought up European art in huge quantities.In Rome, when Morgan came to town,They nailed the Colosseum down.A great Collector! Once his FadWas Coins, but when in time he hadCollected all the coin in sight,To Europe's Art his thoughts took flight.But let not Europe palpitateFor fear of an Art Syndicate.There are more Rembrandts, strange to say,Than ever were in Rembrandt's day;And statues "planted" in the sandWill always equal the demand.

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Confessions of a Caricaturist, by Oliver Herford

After August, by Jr., William R. Burkett

After August, by Jr., William R. Burkett

This publication After August, By Jr., William R. Burkett is expected to be one of the most effective seller book that will certainly make you really feel completely satisfied to purchase and also read it for completed. As known can typical, every book will have certain things that will make somebody interested a lot. Also it originates from the writer, type, material, and even the publisher. However, many people also take the book After August, By Jr., William R. Burkett based on the motif and title that make them surprised in. and also right here, this After August, By Jr., William R. Burkett is really recommended for you considering that it has fascinating title and style to read.

After August, by Jr., William R. Burkett

After August, by Jr., William R. Burkett



After August, by Jr., William R. Burkett

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The time was 1959. Walter was a cook at Dawson’s Famous Seafood Restaurant supporting his tubercular wife in an inland sanatorium and their daughter, who lived with her mother’s parents. He was a loner who minded his own business until Corinne came to work as a waitress and he saw a chance to grab a little moment of happiness with her. But Corinne was a lodestone for dangerous men and he was on a collision course with disaster. “A nearly lost masterpiece is discovered ... modern Southern Gothic,” says Shirrel Rhoades, former fiction editor for The Saturday Evening Post.

After August, by Jr., William R. Burkett

  • Amazon Sales Rank: #8492883 in Books
  • Published on: 2015-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .59" w x 6.00" l, .77 pounds
  • Binding: Paperback
  • 258 pages
After August, by Jr., William R. Burkett

About the Author William R. Burkett, Jr. published his first novel at 18. He was a strapping youth who lived with his grandparents at Neptune Beach, Florida. His first job was as a copy boy for the Florida Times-Union and Jacksonville Journal, but that soon gave way to a position as feature writer. After a tour of duty as an M.P. in Germany, he resumed his journalistic career. Working in both the States and the Bahamas, he pursued a particular muse - duck hunting. That led to writing for hunting magazines and doing PR for the Washington State Highway Patrol and settlement in the Pacific Northwest where the ducks were plentiful and the fishing was good. Although he cut his teeth as a science fiction writer, this novel proves he has a good sense of drama and a serious turn of phrase.


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0 of 0 people found the following review helpful. This book captures with brilliant clarity the social By E. Lines (elines@unr.net) This book captures with brilliant clarity the social, economic and everyday living conditions of 1950's Florida. A waitress struggling to survive and protect two sons from a legal system inclined to award a woman custody, but mired in the paternalistic attitudes of the time; a grandfather exerting power and domination over his "property" like a raging male lion; a gifted cook just wanting to live by principals he feels are just and fair, and everyone one else trying to grab enough of the pie to just get by. This books exposes and explores the inner workings of the Southern soul as well as Faulkner ever did. It should win awards. It will be discovered. It will be used in college lit classes.Earl Lines

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The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

In some cases, reviewing The Religion Of Geology And Its Connected Sciences (Classic Reprint), By Edward Hitchcock is very dull and also it will take long time starting from obtaining guide as well as begin reviewing. However, in contemporary era, you can take the establishing technology by using the net. By web, you could visit this page and begin to look for guide The Religion Of Geology And Its Connected Sciences (Classic Reprint), By Edward Hitchcock that is required. Wondering this The Religion Of Geology And Its Connected Sciences (Classic Reprint), By Edward Hitchcock is the one that you require, you can opt for downloading and install. Have you understood ways to get it?

The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock



The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

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Excerpt from The Religion of Geology and Its Connected SciencesBoth gratitude and affection prompt me to dedicate these lectures to you. To your kindness and self-denying labors I have been mainly indebted for the ability and leisure to give any successful attention to scientific pursuits. Early should I have sunk under the pressure of feeble health, nervous despondency, poverty, and blighted hopes, had not your sympathies and cheering counsels sustained me. And during the last thirty years of professional labors, how little could I have done in the cause of science, had you not, in a great measure, relieved me of the cares of a numerous family! Furthermore, while I have described scientific facts with the pen only, how much more vividly have they been portrayed by your pencil! And it is peculiarly appropriate that your name should be associated with mine in any literary effort where the theme is geology; since your artistic skill has done more than my voice to render that science attractive to the young men whom I have instructed.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

  • Amazon Sales Rank: #8149171 in Books
  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.09" w x 5.98" l, 1.58 pounds
  • Binding: Paperback
  • 542 pages
The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

About the Author 1793-1864


The Religion of Geology and Its Connected Sciences (Classic Reprint), by Edward Hitchcock

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0 of 0 people found the following review helpful. AN INTERESTING EARLY RECONCILIATION OF GEOLOGY AND CHRISTIANITY By Steven H Propp Edward Hitchcock (1793-1864) was an American geologist and President of Amherst College from 1845-1854.He begins this book by saying, "The leading object, which I propose in the course of lectures which I now commence, is to develop the relations between geology and religion.... I place geology first and most conspicuous on the list, because I know of no other branch of physical science so prolific in its religious applications." (Pg. 17) He adds, "as we ought not to expect to find the doctrines of religion in treatises on science, so it is unreasonable to look for the principles of philosophy in the Bible." (Pg. 18)After surveying geological evidence, he asks, "And can any reasonable man conceive how such changes can have taken place since the six days of creation, or within the last six thousand years?" (Pg. 48) He concludes that "To admit the great age of the matter of the globe, does not affect injuriously any doctrine of revelation." (Pg. 55)He rejects the notion that the flood of Noah created the fossil record: "the organic remains ought to be confusedly mingled together, since they must have been brought over the land promiscuously by the waters of the deluge; but they are in fact arranged in as much order as the specimens of a well-regulated cabinet.... (A)t least a part of the organic remains ought to correspond with living animals and plants .. (but) the fossil species are wholly unlike those now alive ... (how is it) that as we rise higher in the rocks, there is a nearer and nearer approach to existing species?" (Pg. 88-89)He asserts that "The discoveries in modern astronomy constitute the fifth step in man's knowledge of God... The sixth step in man's knowledge of Jehovah has been made by the microscope." (Pg. 276-277) He then states in Lecture XIV that "(S)cientific truth, rightly understood, is religious truth" (Pg. 289) and "the principles of science are a transcript of the Divine Character." (Pg. 302)This book will be of interest to students of Natural Theology, or of the religious reaction to geological science.

0 of 0 people found the following review helpful. The validity of science By K. O. Singer Wnile written in the middle 1800's, it is an excellent interrpetation of geology and how it might relate to religion. Put in another way, it is something that can help a creationist to cope with the validity of science

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Jumat, 07 September 2012

Wyoming Showdown, by Rusty Davis

Wyoming Showdown, by Rusty Davis

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Wyoming Showdown, by Rusty Davis

Wyoming Showdown, by Rusty Davis



Wyoming Showdown, by Rusty Davis

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The High Plains of Wyoming's open range are a chance for men to make a killing--or just to kill. Rourke, a bounty hunter with a trail of graves and gunfights behind him, is drawn into a high-stakes game where the greedy and powerful want to exploit the West for their own gain, regardless of the rules.  In a time and place where death and violence are as much a part of life as untamed herds of buffalo and the wild freedom of the raging winds, Rourke has to choose between drifting through life and taking a stand, knowing it could be his last. Battling unseen enemies as well as audacious rustlers, Rourke rides with a blacksmith whose best years are long past him, and Caledonia MacReynolds --a girl as free and wild as the Wyoming sunsets--to stand up against the odds.  As the dark side of progress spills greed across the Plains, drifters and grifters must make their choices, and take their stands. As the final showdown nears, Rourke must decide which friends are still true, which ones are betraying him, and who--if anyone--can be trusted. The powerful forces of change spreading from the East meet the free spirits of the West in a confrontation that forces Cal and Rourke to stand tall and shoot straight.

Wyoming Showdown, by Rusty Davis

  • Amazon Sales Rank: #6414838 in Books
  • Published on: 2015-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 5.70" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 245 pages
Wyoming Showdown, by Rusty Davis

Review Caledonia MacReynolds is a true find - a strong female character in a Western novel. ... she is a powerful, dynamic character. ... the book's continual contrast of the wild and free ways of the West with the less honorable ways of the East ... resembles a societal commentary embedded with the story. A different time. A different place. Eternal values and conflicts. They all come together in "Wyoming Showdown," a book that should be wearing a star - five of them to be exact. From books.google.com/books/about/Wyoming_Showdown.html?id=d0G1oQEACAAJThis is an enjoyable Western, written by a new author with definite knowledge of western lore. Although his background is freelance writing, I feel he has found a future in writing Westerns. The pace of the story, from the opening pages until the climax, is exciting and unrelenting. The characters are well-formed and credible. The author continues to put the protagonist in danger, while the mystery behind the horse-stealing becomes even more complicated. I highly recommend this western novel as a real page-turner.  -- from historicalnovelsociety.org/reviews/wyoming-showdown/The book also paints an intriguing picture of right and wrong, with some of its characters having their feet planted on both sides of that line.The narrative works on multiple levels. One interests me more than the others - the book's continual contrast of the wild and free ways of the West with the less honorable ways of the East. In a day and age when America is convulsed between red states, which on most maps includes Wyoming, and blue ones, which are very much in the East, this theme of the book resembles a societal commentary embedded with the story. from reallygoodwesterns.blogspot.comFrom True West Magazine: Five Star Publishing has published Rusty Davis's Wyoming Showdown. Davis has a passion for the real and imagined West that comes alive in his tale on the high plains of the lawless, windswept territory. His hero is Rourke, a bounty hunter who finds himself and his life at a crossroads in the boomtown of Rawhide. Readers, who enjoy classic Max Brand Westerns will enjoy every page of Davis's first novel, and will be eagerly awaiting the further adventures of Rourke and his high-spirited, ladylove Caledonia MacReynolds. truewestmagazine.com/wyoming-showdown-review/

From the Author An excerpt from "Wyoming Showdown:"Rourke leaned against the gallows tree. The Nestor boys approached. He wondered about the men who had been where he was, with their last sight on earth a jeering crowd come to watch a man die. For a moment, he wondered if a tree felt all the misery around it, like the Indians said, or if it was only a tree. He chuckled grimly; he'd have to ask Star. Cal would surely think he had gone crazy then.Evening was drawing near. Townsfolk had gathered. Everybody wanted to see. Nobody wanted to see too well in case a gunfighter didn't shoot straight. Shame, he thought, that this couldn't have happened in the middle of the day so everyone could have a good view. A north wind picked up. Rourke took off his battered hat and left it on a branch. He liked the wind in his hair. He gave Cal one more thought, put her out of his mind. Not now. Later. Doubts and fears and mortality were gone. The wind breezed around him. He was ready.The Nestor boys walked slowly. Rourke moved away from the tree, a plain challenge and target even in the fading light. He stood with his hand by his gun, waiting.  On the Nestor boys walked. Their fingers danced the way gunmen did so they could move as fast as possible in the split second that separated death from life.  There were no challenges. They had all walked out here before, to the place where men dared other men to kill them. They felt little, if they felt anything at all. Not even hate. Just men in a time and place where the price being paid was kill or be killed. Henry Nestor walked in the middle, eyes on Rourke. The others kept pace to the steady brother who held it together. Stanley had a sawed-off shotgun slung over his left shoulder on a strap. Carl wore two pistols. Two were for show. Shoot one right, you have everything you need. Three on one. He wondered what it would be like to have the odds on your side. He'd never known. He never would.The Nestors spread apart as they walked closer. They knew how to do the job, he gave them that. Man didn't live long in the territory in the trade of a gunfighter without knowing how to kill. The wind gusted. He felt the cold edge of a norther once again. A smile welled up unbidden. Lorraine loved those hard cold winds. Maybe the wind meant that she was with him. Maybe it was time to finish this.Rourke ambled forward with the deliberate pace of a man who was ready to be done with a chore. One is not supposed to brace three. One of them rules that don't matter, he reminded himself. Rourke's movement checked the Nestors, who had expected him to stand and wait, perhaps using the huge trunk of the gallows tree as cover. He caught the glances among brothers as the unexpected planted in his opponents a seed of doubt, a ghost of fear of the unexpected, a possibility of an unknown trap. Then Henry nodded again and they continued walking towards each other. They were 50 yards apart. Rourke liked to be closer. The boys walked closer; Rourke walked as well. Blow that horn, Gabriel, he told himself. It's time for someone to die.

From the Inside Flap Wispy dust blew across the hard-baked packed dirt of Broken Corners' one and only street. It left a gritty coat of white on horses and men who had long since inured themselves to the omnipresent irritant. Along both sides of the short space of buildings that marked the town, cracked, sun-baked, weather-beaten boards gleamed through the flecked paint of the false-fronted buildings. Deep gray clouds far off to the west spoke of looming rain, rain that would slake the thirst of wilting corn while turning the town's pitted street into an impassable trough of Wyoming mud. That would be another day--a day when life was lived according to its usual routine and the street would be all but empty because everyone had work to do on the ranches and farms that spread around the small settlement.Today, Broken Corners' one street was filled to overflowing. Knots of men and boys gathered along the hitching rails by the hotel and the store. Voices rose and faded like the rolls and swells of the sea as their tension of anticipation grew. The pounding of the boys as they ran along the duckboards added drumbeat-like spikes of tension as men waited. Women remained inside, where they pushed aside curtains as they pretended to dust furniture or straighten displays in the stores. More than one woman wished men would simply kill each other far from town so that these gory spectacles could be avoided. Many also feared that--like the town over the hill--men who had wagers on one man or the other might turn the gunfight into an occasion for a violent brawl.  The women knew full well who would have to sew up the wounded. However, even the women who disapproved knew that the fuss was to be expected. In this late summer of 1868, little varied the work-a-day life in a hard-bitten Wyoming frontier town as much as the exhilarating spectacle of two armed men walking out into the street with each planning to kill the other in a gunfight. Unlike the times when drunken cowboys staggered out of the saloon and fired at each other, being as likely to hit the sky as the man they were angry with, this showdown was for real. The deadliest bounty hunter in all of Wyoming had challenged one of the most famous outlaws of the territory, a man with a string of killings who always came back to Broken Corners.The time for the showdown had been set in a note delivered to the outlaw back in the morning. Advance notice gave the crowd time to grow. There was more attendance than for the travelling preacher. Men argued over whose watch was right, as if any of them were. One thing they knew as the sun passed its peak: It was almost time.From the direction of the hills that shimmered distantly through the heat, a lone rider slowly neared the scraggly collection of buildings. The man had been resting in the shade of the trees by the craggy brook a mile to the west. One of the men coming into to town to see the gunfight insisted that had Red Jim gone out to get him, it would have been easy because the gunfighter was sleeping. The truth was not quite that simple, but the bounty hunter knew that when there was nothing to do but wait, he might as well be comfortable. He had done this often enough, after all. All he had wanted while he waited was a place to be alone. Now, he seemed indifferent as the horse walked down the street. He dismounted and hitched his mount to a rail, talking quietly to the horse for a moment. He smiled at the animal as if this was another day, another town. The horse was a giant black stallion with a white mark on his forehead. To a man, the townspeople and ranchers admired the animal, which combined beauty, strength and speed. Plans were already being made to sell him or steal him when the stranger would need him no more, so confident that today's drama would end in the way all others before had finished--Red Jim standing tall with a smoking weapon in his hand and the lifeless body of a challenger who was not quite fast enough being dragged away to be buried at the edge of town in what was the beginning of a gunfighters' cemetery.The man who walked away from the horse did not impress the onlookers. He was medium-sized, carelessly dressed and thin in the face. His boots looked old. His clothes were worn and covered with trail dust. Saloon bums often dressed better. The flat-crowned black hat was nondescript. Beneath it, his face was shadowed by the hat, hidden by a beard and muted beneath the layers of dirt. The eyes that burned holes from beneath the brim radiated intensity that was in contrast with the rest of his actions, but not many townsfolk had ventured close enough to look. They did notice the pistol strapped to his right leg below the hip in a gun belt that seemed to be as much a part of the man as his arms and legs. They knew his name was Rourke. What he was trying to do this day he had done before. Some said he had killed fifty men; others put the number lower. Despite the lack of information, all were convinced he was deadlier than almost anyone else--except for Red Jim. On that one, they were not yet convinced. They knew what Red Jim could do. There were graves on the edge of town to prove it. They had told this to the man when he issued his challenge to Red Jim. The man accepted the information without comment. If he cared, it didn't show. ..From Chapter 1 of "Wyoming Showdown."


Wyoming Showdown, by Rusty Davis

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0 of 0 people found the following review helpful. "Want to die, boy or you want to live?" By Amazon Customer I've read lots of westerns. The nitty-gritty ones that spew gore all over the place in the name of realism; the sappy ones where the ruggedly handsome cowboy spends half the book rescuing the ditzy damsel; the hokey ones where "the man who shot me wore a polka-dot handkerchief"; and the the horrible ones where the author has no clue about the real world of riding horses and working cows (amusing, but every cowboy in the book would be thumbless. If you don't know what I'm talking about, don't write about roping).Wyoming Showdown carefully dances the dividing line between these danger zones and the result is a genuinely fun story. Bounty hunter, check. Guns-for-hire riding into town to take down the sole good guy, check. Bad guys scheming and blazing gun battles with lots of dramatic lines, check. The story flirts with elements that - although indispensable to any classic western - are almost cliche, but Wyoming Showdown manages to pull them off with satisfying competence. My personal favorite is during a showdown in a dusty street, the bounty hunter stalks towards his prey... and privately thanks his stars that the street isn't muddy because of what an idiot he'd look.The damsel isn't ditzy, either, which I appreciate. One of my favorite lines of hers (upon running into the cowboy again after a shootout): "If a girl was in Fort Laramie, there's a fella would be steak about now."A western ought to be fun. This one is. Wyoming Showdown is a fast, well-told western that doesn't try to be epic or gritty or anything more than what it is - which is, simply, a dang good story. Can't ask for more than that.

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