Carmilla, by J. Sheridan LeFanu
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Carmilla, by J. Sheridan LeFanu
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Carmilla Joseph Sheridan LE FANU (1814 - 1873) Carmilla is a Gothic novella by Joseph Sheridan le Fanu. First published in 1872, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. Carmilla predates Bram Stoker's Dracula by over twenty years, had a strong influence on Stoker's famous novel. Sources As with Dracula, critics have looked for the sources used in the writing of Carmilla. Matthew Gibson proposes that Le Fanu used Dom Augustin Calmet's Dissertations sur les apparitions des anges, des demons et des esprits, et sur les revenants et vampires de Hongrie, de Boheme, de Moravie, et de Silesie (1746), which was first anonymously translated into English in a single volume as Dissertations Upon the Apparitions of Angels, Daemons, and Ghosts, and Concerning the Vampires of Hungary, Bohemia, Moravia, and Silesia (1759). and later translated into English in two volumes as The phantom world, or, The philosophy of spirits, apparitions, &c. (1850) Gibson also believes that the Reverend Sabine Baring-Gould's The Book of Were-wolves (1863) and his account of Elizabeth Báthory, Coleridge's Christabel (Part 1, 1797 and Part 2, 1800), and Captain Basil Hall's Schloss Hainfeld; or a Winter in Lower Styria (London and Edinburgh, 1836) are other sources for Le Fanu's Carmilla. Hall's account provides much of the Styrian background and, in particular, a model for both Carmilla and Laura in the figure of Jane Anne Cranstoun, Countess Purgstall.
Carmilla, by J. Sheridan LeFanu- Published on: 2015-11-01
- Original language: English
- Dimensions: 9.00" h x .21" w x 6.00" l,
- Binding: Paperback
- 82 pages
From Publishers Weekly HGenerally acknowledged as a major influence on Bram Stoker's Dracula, this novel, originally published in 1872, is the very first vampire thriller. Le Fanu, often compared to Poe, was a Victorian writer whose tales of the occult have inspired horror writers for more than a century. Seemingly by happenstance, the mysterious and beautiful Carmilla comes to stay with the young and virtuous Laura. Laura, who has been living a lonely existence with her father in an isolated castle, finds herself enchanted with her exotic visitor. As the two become close friends, however, Laura dreams of nocturnal visitations and begins to lose her physical strength. Through much investigation, the gruesome truth about Carmilla and her family is revealed. Though the basic premise of the story, that of evil targeting pure innocence, is familiar to anyone who is vampire savvy, this haunting tale is surprisingly fresh, avoids clich? and builds well to its climax. Particularly interesting are the sexual overtones that develop between the two women. Follows's reading is flawless. In particular, her ability to capture Laura's na?vet? so convincingly will have listeners feeling almost as shocked as Laura as the unwholesome truth unravels. (Sept.) Copyright 2000 Reed Business Information, Inc.
About the Author Joseph Sheridan Le Fanu (1814 - 1873) Joseph Thomas Sheridan Le Fanu (28 August 1814 – 7 February 1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. Three of his best known works are Uncle Silas, Carmilla and The House by the Churchyard.
From AudioFile The appearance of a young and beautiful houseguest jolts young Laura into remembering what may or may not have been a childhood nightmare. Strangely, her visitor, Carmilla, has exactly the same recollection. As Laura's health wanes throughout the visit, Carmilla's vivacity grows. Who would guess she's been dead for over 150 years? Megan Follows's dark and dramatic reading of this vampire classic complements the text perfectly. Refraining from characterization, she recounts Le Fanu's tale from Laura's horrified perspective, vividly illuminating her early relationship with Carmilla, colored by the clarity of retrospection, as the story is recalled later in Laura's life. Follows's voice shudders with disgust at Carmilla's evil, as do her listeners. R.P.L. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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62 of 64 people found the following review helpful. BEFORE DRACULA THERE WAS CARMILLA By K. Jump J. Sheridan LeFanu's "Carmilla" stands as one of the richest, most literate and most enduring stories in the history of the vampire sub-genre. Many rate it higher than Bram Stoker's "Dracula," and while that estimation is at least debatable, there is no debate that "Carmilla" has exerted a mighty influence, consciously or not, on most vampire fiction to follow in its wake, "Dracula" not excepted. Indeed, Stoker's original early chapter in his masterpiece, later published independently as "Dracula's Guest," is particularly indebted to LeFanu's earlier work. As to which is better, let each reader decide for himself--and so enjoy them both!The story is deceptively simple. A young girl, shaken up in a carriage accident, is left by her traveling mother in the care of the narrator's father. Laura, the young woman in whose voice we are told the tale, becomes fast friends with her new acquaintance, a friendship that is put to a powerful test when a strange malady begins infesting the idyllic Styrian countryside with nightmares, fever, and death.LeFanu's style is unhurried, intelligent, and subtle, and the result is an eminently readable tale of mystery and the macabre that holds up remarkably well to repeated perusals. Though not as famous as "Dracula," and certainly written on a much smaller scale than Stoker's epic vampire opus, "Carmilla" is the more sustained and concentrated of the two. Many have traditionally argued that the novella, or short novel, is the ideal vehicle for a horror story, allowing for plenty of characterization and plot development without pushing the story itself beyond its dramtic limits. This reviewer tends to agree, and asserts that whereas "Dracula," masterwork that it is, often flags and succumbs to the doldrums, "Carmilla" never wavers and holds interest to the bittersweet end.Originally published in 1871, "Carmilla" was quite sensational in its day, but I know many will not judge it to have aged well. A far cry from many modern vampire tales, "Carmilla" is probably not for everyone, or even every vampire fan. The deliberate pace, old-world feel, delicate characterization, subtlety, and relative brevity of the story may be turn-offs to those who expect page after page of gory action and explicit sex from their horror. Be that as it may, discerning readers will find few indulgences better than LeFanu's "Carmilla," a gothic triumph which will endure as long as vampire tales are read.
33 of 35 people found the following review helpful. Another Le Fanu Surprise! By Ingrid G. I read this short story in one sitting and could not put it down. Another hidden freebie I discovered by chance. Not gory like other vampire books, but simply leads us into life of a female vampire and her passion for the next victim. The love/obsession she has for her victim is delicately potrayed, but surely was controversial at the time this was written. Vampire lovers must read this, as it served as the inspiration of many other vampire works - such as the famous Dracula. This my second novel of this author in 24 hours - 100% free and good. I am impressed and will continue reading his other material. (review written from my Kindle2)
30 of 33 people found the following review helpful. Classic vampire literature at its best By Luxx Mishley I first came across J. Sheridan Le Fanu's 1872 novella as part of a graduate independent study of gothic literature. It quickly became a personal favorite, as well as an integral part of what will (hopefully) one day become my dissertation.Carmilla tells the tale of a vampire (or oupire, as the peasants refer to them in the novella) who preys on young women; Carmilla becomes intimately attached to the daughter or ward of a wealthy family, and in her pursuit of love and friendship (and perhaps other things...) eventually drains her new found "friend" of her blood and her life. Predating Bram Stoker's classic tale by 25 years, and following the publication of Polidori's short story by 53 years, Le Fanu's tale is one of the first to popularize the figure of the vampire in 19th-century English prose, and has done much to help popularize the subject.What I find particularly interesting about this work is the hybridization of traditional vampire legends (dating back to stories of Lilith herself) and the evolving contemporary vampire mythology of 19th-century England. Like traditional tales, Carmilla is represented as a young woman, and her victims often describe a sense of being strangled in their beds. However, the tale also presents elements of more contemporary ideas, such as a coffin full of blood and long needle-like fangs.I won't go more in-depth for fear of turning a review into a chapter, but I can't praise Carmilla enough. It is a tale sure to delight anyone with interests in 19th-century prose, gothic literature, or vampires (or any combination thereof). LeFanu is a master of gothic tales, and Carmilla is a credit to his name and his craft.
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