The Beetle: A Mystery, by Richard Marsh
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The Beetle: A Mystery, by Richard Marsh
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The Beetle: A Mystery
The Beetle: A Mystery, by Richard Marsh- Published on: 2015-11-09
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .69" w x 6.00" l, .90 pounds
- Binding: Paperback
- 302 pages
About the Author About The Author
Richard Marsh (1857 – 1915) was the pseudonym of the British author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime and romance. Many of these have been republished recently, beginning with The Beetle during 2004. Marsh's grandson Robert Aickman was a notable writer of short "strange stories".
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29 of 31 people found the following review helpful. A Forgotten Classic Now Available By PhineasB I first came across references to this forgotten classic in the works of British occultist Kenneth Grant. Firmly rooted in the Victorian appetite for mystery and the supernatural, 'The Beetle' is a masterpiece of horror and occult fiction. Originally published in 1897, the same year as Bram Stoker's 'Dracula', Richard Marsh's highly original creation at one point actually outsold Stoker's famous vampire primer. Like Stoker's other masterpiece, 'The Jewel of Seven Stars', which was brought to the screen in the seventies with Hammer's stylish retelling as 'Blood From the Mummy's Tomb' (and the forgettable 'The Awakening'), 'The Beetle' would be well served with a film adaptation, although it might be hard pressed to find an appreciative audience today.For those with a taste for occult-inspired fiction along the lines of H.P. Lovecraft, Arthur Machen, Bram Stoker, Sax Rohmer, Algernon Blackwood and others, 'The Beetle' will not disappoint. See also the cheaper Wordsworth edition, with a fine introduction by David Stuart Davies.
18 of 18 people found the following review helpful. An early fiend find By Kay A. Douglas "A face looked into mine, and, in front of me, were those dreadful eyes. Then, whether I was dead or living, I said to myself that this could be nothing human, -nothing fashioned in God's image could wear such a shape as that. Fingers were pressed into my cheeks, they were thrust into my mouth, they touched my staring eyes, shut my eyelids, then opened them again, and-horror of horrors!-the blubber lips were pressed to mine-the soul of something evil entered into me in the guise of a kiss."Published in 1897, the same year as Bram Stoker's Dracula, The Beetle is a classic Victorian weird/sensation novel, written in wonderfully ripe, overwrought prose, and featuring (of course!) a sinister oriental figure with the power to transform himself. This fiend persecutes and hypnotically asserts control over an upstanding British man, the hero of the novel.In many ways, this sort of novel foreshadowed Sax Rohmer's Fu Manchu novels, but it also fed into the late 19th-century fascination with all things Egyptian. Later this sort of tale would be the grist for 20th century mummy films and Boris Karloff's mesmerizing stare, but unfortunately The Beetle never seems to have made the leap into popular modern culture the way that Dracula did. A pity, as this is an equally engrossing supernatural tale.
4 of 4 people found the following review helpful. A quintessential fin-de-siecle novel By Jay Dickson Actually outselling DRACULA when they both came out in 1897, Richard Marsh's THE BEETLE was much talked about for years after its publication and even turned into a silent film. It's not as sustained as Bram Stoker's most famous novel and drags off a bit towards the end in a complicated railway chase, but sections of it are as frightening as anything Stoker ever wrote. Like DRACULA, Marsh's novel involves an Eastern invader with supernatural powers coming to England to attack a beautiful woman; it also invokes a whole series of tropes typical of the period, including gender confusion, fears of rampant unchecked sexual experimentation, imperialist concerns, and anxieties regarding the explosion of London's urban growth. The novel's central (and only really memorable) character is the titular Beetle, a monster from Egypt that can change its sex, its size, and its species: it comes to London to seek revenge against a politician who abandoned it decades ago in Cairo, and seeks to destroy him through his New Woman fiancée. The Beetle's presence in the novel is much more terrifying than its actual plans (which are never thoroughly explained); even so, it's quite a satisfyingly terrible monster. The novel's initial quarter, told from the view of a vagrant who sneaks into a London house for shelter in a storm only to find himself completely in the Beetle's mesmeric thrall, is outstanding in its hallucinatory detail and its evocation of sensory horror.Unlike DRACULA, the THE BEETLE became almost forgotten within a generation. In just the last decade, however, multiple editions of it have appeared, not only because it speaks to much to the scholarship of critics in the fin de siecle (such as Elaine Showalter, Roger Luckhurst, and Sally Ledger) but also because it's such a rattling good read. This thoughtfully annotated edition from Valancourt, printed on beautiful paper and with the novel's original illustrations, may well be the best out there.
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