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The Prince: Golden Illustrated Classics (Comes with a Free Audiobook),

The Prince: Golden Illustrated Classics (Comes with a Free Audiobook), by Niccolò Machiavell

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The Prince: Golden Illustrated Classics (Comes with a Free Audiobook), by Niccolò Machiavell

The Prince: Golden Illustrated Classics (Comes with a Free Audiobook), by Niccolò Machiavell



The Prince: Golden Illustrated Classics (Comes with a Free Audiobook), by Niccolò Machiavell

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  • The Prince (Italian: Il Principe [il ˈprintʃipe]) is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of the Prince in manuscript, controversy had swirled about his writings

    The Prince: Golden Illustrated Classics (Comes with a Free Audiobook), by Niccolò Machiavell

    • Amazon Sales Rank: #484388 in eBooks
    • Published on: 2015-11-28
    • Released on: 2015-11-28
    • Format: Kindle eBook
    The Prince: Golden Illustrated Classics (Comes with a Free Audiobook), by Niccolò Machiavell

    Amazon.com Review When Lorenzo de' Medici seized control of the Florentine Republic in 1512, he summarily fired the Secretary to the Second Chancery of the Signoria and set in motion a fundamental change in the way we think about politics. The person who held the aforementioned office with the tongue-twisting title was none other than Niccolò Machiavelli, who, suddenly finding himself out of a job after 14 years of patriotic service, followed the career trajectory of many modern politicians into punditry. Unable to become an on-air political analyst for a television network, he only wrote a book. But what a book The Prince is. Its essential contribution to modern political thought lies in Machiavelli's assertion of the then revolutionary idea that theological and moral imperatives have no place in the political arena. "It must be understood," Machiavelli avers, "that a prince ... cannot observe all of those virtues for which men are reputed good, because it is often necessary to act against mercy, against faith, against humanity, against frankness, against religion, in order to preserve the state." With just a little imagination, readers can discern parallels between a 16th-century principality and a 20th-century presidency. --Tim Hogan

    Review “[Machiavelli] can still engage our attention with remarkable immediacy, and this cannot be explained solely by the appeal of his ironic observations on human behaviour. Perhaps the most important thing is the way he can compel us to reflect on our own priorities and the reasoning behind them; it is this intrusion into our own defenses that makes reading him an intriguing experience. As a scientific exponent of the political art Machiavelli may have had few followers; it is as a provocative rhetorician that he has had his real impact on history.” –from the Introduction by Dominic Baker-Smith

    Language Notes Text: English (translation) Original Language: Italian


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    682 of 726 people found the following review helpful. Realistic Map of How Power is Achieved and Maintained By Wayne A. Smith There are two good reasons to read Machiavelli's classic, "The Prince."First, so you'll know what everyone is referring to when you come across the adjective "machiavellian" in news stories or other media. This adjective has become so commonplace (and overused) it is almost a cliche. Also, most who use it have never read this letter from Machiavelli, a Rennaisance courtier to his Prince (written from prison), but they insist on peppering writings with this noun turned adjective so much that as a matter of clearly understanding what is meant by the term, famiality with this brief treatise is helpful.Second, this book does describe most (not all) power situations very well. From politics to corporations to most settings where advancement, influence and control exist, Machiavelli's observations and rules apply.You will also discover that Machiavelli was not as evil as he is understood to be in popular thought. What he was doing was describing the rules of the game that have existed and always will exist for many situations involving selfish humans in competition. Machiavelli's rules are neither good nor bad in themselves -- they describe a process. What is good or bad is how those who master Machiavelli's rules use their power and position, in a society that tempers actions according to law and basic Judeo-Christian principals. When those principals do not exist (as in Nazi Germany, the Middle Ages or under Communism, or by those who refuse to live by these constraints), Machiavelli's rules take on their demonic and evil cloak; usually because they serve demonic and evil ends. In societies where positive constraints exist, for example the U.S. political system, Machiavellian behavior can produce excellent results. A good example involves Abraham Lincoln, whose ambition led him to use every legitimate trick and stragety to master (and remove) political opponents. His mastery of Machiavellian behavior constrained by the US political system allowed him to save the Union and end slavery.To fully appreciate the modern lessons that can be taken from this writing, one must translate Medieval sensibilites to their contemporary counterparts. The casual way in which Machiavelli discusses the need to kill opponents was necessary to those who wished to be princes 500 years ago. Today, of course, "killing" is translated as rendering less powerful, or taking an opponent out of the game.What does one get from this book? It is a roadmap with insights and lessons about how to 1) get ahead of others to attain power; and 2) maintain and expand one's power in the face of others who would usurp one who is in a desirable position.This book is about ruthlessness and putting the attainment of goals ahead of any other consideration. Plenty of maxims that are also tossed about frequently in media are to be found in Machiavelli's book: "the end justifies the means," "it is better to be feared than loved," "if you fight the prince, kill the prince" to name a few.It is essential reading to anyone who would be in a competitive environment and hope to advance, if for no other reason than many of one's competitors operate by Machiavelli's dictums (which arise out of human instinct and selfishness). One does not have to operate according to Machaivelli's code -- many examples of alturism and "pluck and luck" exist to defeat any claim that Machiavelli's road map is essential for success. However, human nature and human history deliver far more examples of ruthless self-interest (Machiavellianism) behind success in power situations.Is Machiavellianism bad? Not in and of itself. Remember, one must translate the Middle Age ethos to current practices -- there usually isn't blood spilled as a result of today's Machiavellian duels, just power and positon. Most political and business leaders are at least partly Machiavellian. The trick is using one's power to good ends. Thus, even though Lincoln and all of our presidents were Machiavellian in their climb to the White House, some of them did darn good work there. The same is true for business leaders. Jack Welch (GE), Bill Gates (Microsoft), anyone who advances past the first few rungs of the corporate ladder or dominates markets at the expense of competitors is using Machiavelli's dictums. The trick of a just and good society is to set the bounds by which power can be attained and exercised so that good and benefits will flow from those who are able to "claw their way to the top."To summarize, read this book if you want to 1) truly understand when the adjective "Machiavelli" is used to describe people and 2) understand the rules by which most people navigate their way to power.

    36 of 36 people found the following review helpful. Wonderful edition By btm018 I won't expound the joys of reading Machiavelli since many other reviewers have done so. Peter Bondanella's translation is wonderfully readable, capturing both the cadence and elegant simplicity of Machiavelli. Bondanella has updated his previous translation of 'The Prince' (with Mark Musa), which can be found in the previous Oxford edition and in the Viking Portable Machiavelli. The introduction by Maurizio Viroli is a pleasant new feature. The introduction covers all of the basic points necessary for anyone new to Machiavelli, while including some of Viroli's own ideas about Machiavelli's use of contemporary principles of rhetoric. For a more detailed introduction to Machiavelli you may also want to try the paperback edition of Viroli's book Machiavelli (Founders of Modern Political and Social Thought), although the price is quite high for an introduction. Two excellent and inexpensive introductions are Quentin Skinner's "Machiavelli: A Very Short Introduction" (Oxford) and Cary Nederman's "Machiavelli: A Beginner's Guide"(Oneworld), both of which cover more than just 'The Prince'. Finally, the low price makes this edition a great value.UPDATE 11/19/2011: MORE DETAILAfter having worked with this edition for a few years now, I feel the need to adjust my initial review in one way. The translation is not exactly the same as the one provided in 'The Portable Machiavelli' The Portable Machiavelli. 'The Portable Machiavelli' translation is based on the older edition done by Mark Musa, which Peter Bondanella contribute to as well. However, the Oxford World's Classics edition listed above is done solely by Bondanella. Bondanella claims that "This new version of The Prince aims at accuracy but also at a more pleasing and readable English prose style than is possible if a translation respects Machiavelli's word order too closely." (p. xl)Presumably, this reference to strict adherence to word order is directed towards the older Mark Musa translation. Having worked with both alongside the Italian offered in an older edition (Machiavelli's The Prince: A Bilingual Edition), the Bondanella translation fulfills its stated objective well. Bondanella accomplishes this by breaking up some longer sentences into separate shorter sentences. The translations are substantively similar.Here's a comparison of how the two translations and original Italian present a well-known passage:Peter Bondanella, Oxford World's Classics"I therefore conclude that, since Fortune varies and men remain obstinate in their ways, men prosper when the two are in harmony and fail to prosper when they are not in accord. I certainly believe this: that it is better to be impetuous than cautious because Fortune is a woman, and if you want to keep her under it is necessary to beat her and force her down. It is clear that she more often allows herself to be won over by impetuous men than by those who proceed coldly. And so, like a woman, Fortune is always the friend of young men, for they are less cautious, more ferocious, and command her with more audacity." (p. 87)Mark Musa and Peter Bondanella, The Portable Machiavelli"I conclude, therefore, that since Fortune changes and men remain set in their ways, men will succeed when the two are in harmony and fail when they are not in accord. I am certainly convinced of this: that it is better to be impetuous than cautious, because Fortune is a woman, and it is necessary, in order to keep her down, to beat her and to struggle with her. And it is seen that she more often allows herself to be taken over by men who are impetuous than by those who make cold advances; and then, being a woman, she is always a friend of the young men, for they are less cautious, more aggressive, and they command her with more audacity." (p. 162)Machiavelli's The Prince: A Bilingual Edition"Concludo adunque, che, variando la fortuna e stando li uomini ne' loro modi ostinati, sono felici mentre concordano insieme, e, come discordano, infelici. Io iudico bene questo: che sia meglio essere impetuoso che respetivo; perchè la fortuna è donna, ed è necessario, volendola tenere sotto, batterla e urtarla. E si vede che la si lascia più vincere da questi, che da quelli che freddamente procedono; e però sempre, come donna, è amica de' giovanni, perchè sono meno respettivi, più feroci e con più audacia la comandano." (p. 214)I hope this is helpful and I'm sorry I couldn't say all this more quickly.

    46 of 48 people found the following review helpful. Tricky Work, Tricky Translation--Highly Recommended! By John Russon Machiavelli was a moderately significant figure in Renaissance Florence at the time that city was busy shaping the essence of the modern world. His works (all of them, but especially the Prince) capture much of what is pivotal in this culture. The book is advice to princes on how to seize and hold power. Mostly, that means you need to trick people and use ruthless violence intelligently. (He suggests that, if you could invent something like the Catholic Church, you'd be in a specially good position to set up a rule that would draw a lot of allegiance and a lot of taxes, would have no responsibilities, and would never end.) It's great reading as literature and as history, and also incredibly subtle and insightful as an analysis of human psychology. Mostly, this work praises cunning intelligence; it is also written for the reader who possesses the same. Consequently, it is a book that requires real patience and attention if its real treasures are to be found. Mansfield's translation is, I believe, the best for allowing one to look for the inner depth of the book. The translation is inspired by the work of Leo Strauss, and, as is typical of Straussian translations, it is a translation that is extremely careful to reflect the subtleties of the language of the original in order to retain their complex intimations etc. This is the translation I use when I teach the book because of its precision and elegance. It also has helpful historical notes that provide some of the essential context that is necessary to understanding Machiavelli's words; (Machiavelli often, for example, describes some historical figure in a fashion which will suggest the opposite of his true point to the reader who does not take the trouble to learn the details of the context he is referring to, and Mansfield is helpful in supplying guides to the modern reader for what to study in order to get past these textual deceptions). Overall, this is an outstanding translation of one of the great books of Western culture. I recommend it highly.

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