Nightmare Abbey, by Thomas Love Peacock
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Nightmare Abbey, by Thomas Love Peacock
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Nightmare Abbey
Nightmare Abbey, by Thomas Love Peacock- Published on: 2015-11-29
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .20" w x 6.00" l, .29 pounds
- Binding: Paperback
- 88 pages
Review
“Though considered a light―even a slight―novel, Nightmare Abbey requires of its ideal reader extensive knowledge of the age that produced it: the literature, the politics, and, not least, the personalities associated with English Romanticism. Lisa Vargo succeeds admirably in bringing this rich background―masterfully synthesized in a critical introduction and amply documented in notes and appendices―to bear on the work for which its author is best known and which, as much as any other work of the period, engages English Romantic culture in all its numerous contradictory forms. Vargo has brought together the resources of recent Peacock scholarship and an invaluable archive of excerpted contemporary texts to produce an edition of Peacock’s most characteristic―and arguably his best―novel for a new generation of readers.” ― James Mulvihill, University of Alberta
“Published in the same year as Mary Shelley’s Frankenstein, Thomas Love Peacock’s Nightmare Abbey is not just a burlesque of the Gothic novel, but a sustained critique of what he regarded as ‘the darkness and misanthropy of modern literature.’ His witty satire on ‘the spirit of the age’ can best be understood through an awareness of its complex intertextual relations with other works of Romantic literature. To help promote such awareness, Lisa Vargo’s new Broadview edition provides a thoughtful introduction, detailed explanatory notes, and an exceptionally rich array of contextual material drawn from contemporary reviews of the novel, translations of earlier German literature, relevant works by Godwin, Coleridge, Shelley, Byron, and Hazlitt, and, perhaps equally important, Peacock’s own critical and autobiographical writings.” ― Nicholas A. Joukovsky, Pennsylvania State University
From the Back Cover
This 1818 novel is set in a former abbey whose owner, Christopher Glowry, is host to visitors who enjoy his hospitality and engage in endless debate. Among these guests are figures recognizable to Peacock’s contemporaries, including characters based on Lord Byron and Samuel Taylor Coleridge. Mr. Glowry’s son Scythrop (also modeled on a famous Romantic, Peacock’s friend Percy Bysshe Shelley) locks himself up in a tower where he reads German tragedies and transcendental philosophy and develops a “passion for reforming the world.” Disappointed in love, a sorrowful Scythrop decides the only thing to do is to commit suicide, but circumstances persuade him to instead follow his father in a love of misanthropy and Madeira. In addition to satire and comic romance, Nightmare Abbey presents a biting critique of the texts we view as central to British romanticism.
This Broadview edition includes a critical introduction and a range of illuminating contemporary documents on the novel’s reception and its German and British literary contexts. A selection of Peacock’s critical and autobiographical writings is also included.
About the Author Nicholas A. Joukovsky is Emeritus Professor of English at Pennsylvania State University. He is the editor of The Letters of Thomas Love Peacock (2001), has published widely on Romantic and Victorian writers, and has contributed the articles on Peacock for The Cambridge Bibliography of English Literature (3rd edition, Volume 4, 1999) and The Oxford Dictionary of National Biography (2004).
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Most helpful customer reviews
6 of 7 people found the following review helpful. A satire of the Gothic and of pretentious behavior. And very funny. By gammyraye This was not the book I expected it to be. In researching the history of the Gothic novel here and there on the internet, I found this novel mentioned as a satire of the genre, written by a friend of the poet Percy Shelley, the same Shelley who sat around telling ghost stories with his friends and his wife Mary, inspiring her to write Frankenstein. And while this novel does have a mysterious female who is suspected of being a mermaid, a secret room concealed in a tower, and a brief appearance by a supposed ghost, it is more of a satire of the fashionable intellectual trends of the time. And it is quite funny, in a very sly way.I would not have realized it if I had not read the introduction written by an academic, but this is also a gentle satire of actual people: Scythrop Glowry, the main character, is modeled on Shelley, and the two women he loves are modeled on his first wife Harriet and his second wife Mary. Other subjects of satire include characters patterned after Samuel Taylor Coleridge and Lord Byron, as well as several lesser-known people of the day.However, it would not be necessary to know the sources for the characters to appreciate the book. While a knowledge of the trends of the Romantic Movement and of the three poets satirized here would increase enjoyment, a modern reader can recognize people with these types of behavior and thinking today.The plot here is secondary to the conversations of the residents and guests at Nightmare Abbey. The main plot element is, of course, Scythrop and the two women he loves (at the same time).The main target of satire is the intellectual nourishing of romantic melancholy, for "...it is the fashion to be unhappy. To have a reason for being so would be exceedingly commonplace: to be so without any is the province of genius." Mr Flosky, the Coleridge-type character, is portrayed as being "a very lachrymose and morbid gentleman" with a "very fine sense of the grim and tearful." Mr. Cypress, the Byron-type character, says, "I have no hope for myself or for others...." and "How can we be cheerful in the midst of disappointment and despair?" Peacock ever-so-subtly exaggerates (or maybe not) his characters' dramatic personas and conversations to reveal them to be pretentious and ridiculous.For obvious humor value, we have the amusing names of the characters, for instance Mr. Listless, who is...well, listless; Mr. Toobad, who sees everything as the work the the devil; Mr. Larynx, who is the preacher; the servants Raven, Crow, and Graves. More subtle humor pervades the whole narrative, with ironic and deadpan little asides. The most humorous incident comes when the company is discussing ghosts, and Mr. Flosky dramatically proclaims, "I see a ghost at this moment." When the door opens and a ghastly figure walks in, the reaction of the characters is laugh-out-loud funny.I liked this novel very much, both for its historical interests and for its humor. It is still funny today. It seems that some young people still consider it to be fashionably romantic and interesting to be dark and brooding. The Byronic hero is alive and flourishing in the 21st Century.
6 of 7 people found the following review helpful. If you love words.... By Froggy This is a great book for those logophiles among us who adore reading wordy 19th century English novels. The English language is sloppier and slangier now; it is no longer spoken in the manner of the dialog in this novel. It is a joy to read dialog that employs the perfect word to impart precise information to the reader. Thomas Peacock also writes with great tongue-in-cheek humor. His characters are caricatures of the preeminent writers of his day, and the dialog attributed to each of them highlights their individual foibles delightfully.
2 of 2 people found the following review helpful. A Truly Great Novel By Peter Oakley This is Peacock at his best, with characters based on Coleridge, Shelley and Byron working together in one of Peacock's intricately-orchestrated plots, with Peacock's passionate opposition to the abuses in society visible through the shimmer of his exquisite humour. A wonderful book. Be careful to buy a copy which has all the pages printed (there are some cheap and careless editions around now), that have his learned footnotes in Greek and Latin typeset correctly (some typesetters just grab any symbol when they purport to be typesetting Greek; this brings out another of Peacock's themes, the general decline in education). By no means buy a Kindle edition, which cannot set footnotes satisfactorily and which usually makes a muddle of Greek.
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