A Love Episode, by Emile Zola
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A Love Episode, by Emile Zola
Free Ebook PDF A Love Episode, by Emile Zola
Émile Zola is one of the greatest writers of the 19th century, and one of France’s best known citizens. In his life, Zola was the most important exemplar of the literary school of naturalism and a major figure in the political liberalization of France. Around the end of his life, Zola was instrumental in helping secure the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, a victim of anti-Semitism. The Dreyfus Affair was encapsulated in the renowned newspaper headline J'Accuse.More than half of Zola's novels were part of this set of 20 collectively known as Les Rougon-Macquart. Unlike Honore de Balzac, who compiled his works into La Comedie Humaine midway through, Zola mapped out a complete layout of his series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable Rougons and the disreputable Macquarts for five generations. Zola explained, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."
A Love Episode, by Emile Zola- Amazon Sales Rank: #514453 in Books
- Published on: 2015-11-25
- Original language: English
- Dimensions: 9.00" h x .50" w x 6.00" l,
- Binding: Paperback
- 222 pages
About the Author ?mile Zola was a French writer who is recognized as an exemplar of literary naturalism and for his contributions to the development of theatrical naturalism. Zola s best-known literary works include the twenty-volume Les Rougon-Macquart, an epic work that examined the influences of violence, alcohol and prostitution on French society through the experiences of two families, the Rougons and the Macquarts. Other remarkable works by Zola include Contes ? Ninon, Les Myst?res de Marseille, and Th?r?se Raquin.
In addition to his literary contributions, Zola played a key role in the Dreyfus Affair of the late nineteenth and early twentieth century. His newspaper article J Accuse accused the highest levels of the French military and government of obstruction of justice and anti-semitism, for which he was convicted of libel in 1898. After a brief period of exile in England, Zola returned to France where he died in 1902. ?mile Zola is buried in the Panth?on alongside other esteemed literary figures Victor Hugo and Alexandre Dumas.
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Most helpful customer reviews
12 of 12 people found the following review helpful. The not-so-merry widow By A Customer A frantic young widow seeks a doctor during the night for her sick daughter and stumbles across her next-door neighbour. Returning to thank him, she is befriended by the doctor's wife. But gradually the doctor comes to love the widow for her calm and dignity and turns away from his society hostess of a wife - with ultimately tragic consequences. A well-crafted story with short chapters and leaning heavily on character portrayal for its effect. Very untypical Zola, the novel seems to be written as a breathing space between "L'Assommoir" and "Nana" to cash in on Zola's new-found fame, avoid being typecast as a muck-racker and to show that even respectable, well-off people living in a prosperous neighbourhood and minding their own business can be waylaid and thrown into turmoil by love's passion. The story also ties up a loose end in a minor branch of the Rougon-Macquart dynasty, though the heroine ultimately receives less drastic treatment from the author than her two brothers. The impression from this book is more that of the "stiff upper lip" than the "blood and guts" you normally expect from Zola and it is probably the best of this type in the 20-novel cycle.
6 of 7 people found the following review helpful. Great study of a neurosis and its social consequences By akompano Chronolgically, A Love Episode (Une Page d'amour) is the 8th volume of the Rougon-Macquart series. There can be no doubt in the mind of the judicial critic that in the pages of "A Love Episode" the reader finds more of the poetical, more of the delicately artistic, more of the subtle emanation of creative and analytical genius, than in any other of Zola's works... In all literature there is nothing like the portrayal of the punishment of Helene Grandjean. Helene and little Jeanne are reversions of type. The old "neurosis," seen in earlier bran-ches of the family, reappears in these characters. Readers of the series will know where it began. Poor little Jeanne, most pathetic of creations, is a study in abnormal jealousy, a jealousy which seems to be clairvoyant, full of supernatural intuitions, turning everything to suspicion, a jealousy which blights and kills. Could the memory of those weeks of anguish fade from Helene's soul? This dying of a broken heart is not merely the figment of a poet's fancy. It has happened in real life. The coming of death, save in the case of the very aged, seems, nearly always, brutally cruel, at least to those friends who survive. (C. C. Starkweather)
3 of 4 people found the following review helpful. Zola's great work re-captured By jdmcox I first read Zola's Earth when I was much younger. I remember being hugely impressed with the earthiness of it. So, thinking I'd like to read it again, I bought Douglas Parmee's translation, presuming that that was the translation that I'd read. But the language in that translation was not earthy, it was pedestrian, as though the translator was trying to appeal to the average English reader. I couldn't read it. I remembered the earthiness in the language of the translation I'd read as being something that perfectly represented the people and place in Zola's book. And it was a delight. So I bought this re-issue of an old translation, and yes, it was the one I'd read and loved before. I can't imagine how anyone who reads and enjoys Zola and other similarly great authors could prefer the newer translation to this older one. I can only guess that Parmee's translation was meant to appeal to readers whose main entertainment is television, and who want a writer to use simple, familiar words that describe simple, familiar feelings.
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