Smoke, by Ivan Sergeevich Turgenev
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Smoke, by Ivan Sergeevich Turgenev
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‘Smoke’ was first published in 1867, several years after Turgenev had fixed his home in Baden, with his friends the Viardots. Baden at this date was a favourite resort for all circles of Russian society, and Turgenev was able to study at his leisure his countrymen as they appeared to foreign critical eyes. The novel is therefore the most cosmopolitan of all Turgenev’s works. On a veiled background of the great world of European society, little groups of representative Russians, members of the aristocratic and the Young Russia parties, are etched with an incisive, unfaltering hand. Smoke, as an historical study, though it yields in importance to Fathers and Children and Virgin Soil, is of great significance to Russians.
Smoke, by Ivan Sergeevich Turgenev- Amazon Sales Rank: #5845878 in Books
- Published on: 2015-11-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .14" w x 6.00" l, .21 pounds
- Binding: Paperback
- 60 pages
Review Enthusiasts of strong social and political commentary couched in novel format will appreciate this story of European community roots and changes, reflected both in Russian politics and in the lives of two individuals who find philosophies diverging. An excellent story of change permeating into all levels of society. -- Midwest Book Review
Language Notes Text: English, Russian (translation)
About the Author John Reed was the kind of man who, one instant, might touch you to your very core -- send a symphony into the marrow of your bones. But he was also the type who, the next instant, might prove exasperatingly shallow. Such was his sad contradiction. There he'd be reciting something truly something -- but reciting it at the exclusive room of the trendiest possible of-the-second club to an audience of those beautiful and ambitious New Yorkers who, though not always successful at it, were the most "willing, " in the name of glory, to lead lives unexamined and vapid.
His tragic and untimely demise unfolded at a juncture when I was most disgusted with him -- for not a month earlier, his reprehensible behavior had ended our relationship. One that had seemed riddled...well, with potential.
He could be a boy sometimes, standing as he would have in 1977, a child of the Manhattan wasteland -- a body filthy and lean, and trying to discover for itself honor in the void. This aspect of his work had been of interest to me. And since, during the course of our romance, we discussed our writing with each other, I became quite familiar with his proposal for "Duh Whole" -- the tale of a girl gone awry, and a great big hole. Hence, it was not unexpectedly (the prospect of finishing the unfinished works of expired authors ever-tempting) that I was approached the very minute John first coughed (with luck, it'd be a foreshadowing of consumption and doom). His outline proved surprisingly complete, and having no book deal of my own, I was soon secured in the effort -- and with John's institutionalization and rapid decline, I was given the green light. If you like my work, you might look for other novels ostensibly by Reed, such as "Snowball's Chance" and "A Still Small Voice, " which, incidentally, I also wrote.
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Most helpful customer reviews
20 of 20 people found the following review helpful. Very readable, youthful Turgenev romantic/political novel By A Customer A very readable translation, although more can be gained with an elementary level of French to catch some of the untranslated idiomatic phrases of the faux aristocracy. This short novel is not as sentimental or melancholy as "Spring Torrents" or "First Love," and perhaps lacks the polish of his best-known work "Fathers and Sons," but the mixture of the setting (Baden Baden, Germany)with the characters from not only Russia, but also France, Germany et al., with a familiar plot device (love triangle) makes for not only an interesting love story but also an intriguing glance at the political history of Russia and western Europe. I would recommend this book to anyone who wants a more complete understanding of Turgenev's works,the Russian novel in general, and the late 19th Century European literature. Personally, I have enjoyed all of Turgenev's novels and would recommend any of them. If you are new to Turgenev, however, I would definitely recommend starting with "Fathers and Sons." All of Turgenev's novels combined make for less reading than say Tolstoy's "War and Peace" or Dostoevsky's "Crime and Punishment." Sample some Turgenev!
7 of 7 people found the following review helpful. Russians in Baden-Baden By A reader "Smoke," a novel mainly set among wealthy Russians travelling abroad, is not without its problems. The story takes a while to get under way, and Turgenev's effort to fit the plot developments into the broader issue of Westernization in Russia at times places a strain on the narrative.However, a scene in chapter 26 (which gives the book its name) features one of the loveliest passages I have yet encountered in literature. It is a brief passage in which Litvinov, the main character, returning to Russia with his spirit crushed by the circumstances of his ill-fated trip to Baden-Baden, has a reverie prompted by the sight of the smoke he sees outside the train window. As is often the case with Turgenev's writing, it is a simple scene but one laden with humanity and warmth.(BTW: It is also worthwhile to examine this book in connection with Leonid Tsypkin's "Summer in Baden-Baden" which discusses the meeting there between Turgenev and Dostoevsky.)
16 of 21 people found the following review helpful. Where's the Fire? By A Customer Turgenev devotees will be pleased to find a copy of this most seldom reissued and perhaps least known of his novels. Its tidy paperback sheath, studded with sepia snapshots from the historical time it depicts, makes a fine outer garment for the spare and slender frame of a tale we find within. For, at first glance, "Smoke" will not appear to have many of the winning features which normally draw readers into Turgenev's fictional realms and keep them there, so happily immured: absent are the legendary lyrical descriptions of the Russian countryside and its owners to be found in such novels as "Rudin" and "Home of the Gentry," and missing are the complex character development and more involved political reflections which are hallmarks of the somewhat lesser yet still impressive "On the Eve." And the discoverer of "Smoke" will be sorely disappointed should she or he hope to find in this work something to satisfy the voracious literary appetite engendered by the sumptuous meal which "Fathers and Children" invariably is. "Smoke," like "Virgin Soil" which immediately followed it, has no dearth of defects. Its plot moves too swiftly, for example, giving no time for characters to change and events to move in credible ways. Its tone is often mean-spirited and sour. Practically no one likeable, aside, perhaps, from the unhappy Tatyana, appears in its pages. Its plot and even dialogue are too often puzzlingly predictable. Yet, for all its lacks, "Smoke" does accomplish the astonishing novelistic miracle, achieved by so few: the creation of two characters, in Irina Ratmirov and Grigory Litvinov, who are utterly unforgettable. Unsavory from first bite to final slurp, an encounter with them will leave the reader longing for some equally ferocious flavor as purgative to the palate. No small feat! Though to a 21st century American ear, this translation will sound quaintly Victorian (Constance Garnett, whose translating career death has not hurt one little bit) and cozily English (check out curiosities like "phiz" and "fly"), it is well-worth not only buying but reading. What better way, really, to point out the always-to-be-remembered truth that even immortals like the divine Turgenev were not continually engaged in the manufacture of masterpieces.
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