Senin, 21 Juni 2010

The Fate of Fenella, by Arthur Conan Doyle

The Fate of Fenella, by Arthur Conan Doyle

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The Fate of Fenella, by Arthur Conan Doyle

The Fate of Fenella, by Arthur Conan Doyle



The Fate of Fenella, by Arthur Conan Doyle

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The Fate of Fenella Arthur Conan Doyle, Scottish author of Irish descent most famously known for his stories about the detective Sherlock Holmes (1859-1930) This ebook presents «The Fate of Fenella», from Arthur Conan Doyle. A dynamic table of contents enables to jump directly to the chapter selected. Table of Contents - About This Book - Chapter I - Chapter Ii - Chapter Iii - Chapter Iv - Chapter V - Chapter Vi - Chapter Vii - Chapter Viii - Chapter Ix - Chapter X - Chapter Xi - Chapter Xii - Chapter Xiii - Chapter Xiv - Chapter Xv - Chapter Xvi - Chapter Xvii - Chapter Xviii - Chapter Xix - Chapter Xx - Chapter Xxi - Chapter Xxii - Chapter Xxiii - Chapter Xxiv

The Fate of Fenella, by Arthur Conan Doyle

  • Amazon Sales Rank: #2930495 in eBooks
  • Published on: 2015-11-23
  • Released on: 2015-11-23
  • Format: Kindle eBook
The Fate of Fenella, by Arthur Conan Doyle

About the Author Sir Arthur Ignatius Conan Doyle (1859-1930) was a Scottish physician and prolific writer most renowned for his ingenious Sherlock Holmes detective stories A Study in Scarlet, The Sign of the Four, The Adventures of Sherlock Holmes, The Memoirs of Sherlock Holmes, The Hound of the Baskervilles, The Return of Sherlock Holmes, The Valley of Fear, His Last Bow, and The Case-Book of Sherlock Holmes. His collected body of work includes science fiction stories, historical novels, plays, romances, poetry, and nonfiction. Conan Doyle was knighted by King Edward VII in 1902 after writing a widely acclaimed pamphlet defending the British position in the Boer War.


The Fate of Fenella, by Arthur Conan Doyle

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5 of 5 people found the following review helpful. Astonishing Victorian literary stunt By Patto The magazine business was fiercely competitive in the 1890s. And readers addicted to sensation fiction were always looking for new thrills. In this volatile literary marketplace, London publisher Joseph Snell Wood came up with a great promotion: The Fate of Fenella.There would be twenty-four chapters, each written by a different well-known novelist, half of the contributors men and half women. There would be no pre-conceived plot. Each author would have to deal with the plot as she or he found it - and move it forward.Not surprisingly, with an arrangement like this, the story is wholly improbably, every chapter building up to a climax and ending with a cliffhanger. The reader is treated to murder, bigamy, adultery, fraud, kidnapping, hypnotic trances, near fatal illnesses and a shipwreck - all involving persons in the highest society.The plot kicks off with a marriage in ruins. Lord Francis Onslow has been having an affair with a French femme fatale of vicious character. His wife Fenella retaliated by engaging in flagrant (though innocent) flirtations. What happens next? Just about everything you could imagine.Contemporary critics either praised the book as "an ingenious success" or condemned it as "a literary crime." I found the admittedly absurd story surprisingly fun and readable. Most of the once popular authors are unknown today, yet the quality of their writing is quite good.Short bios of the writers are included, and add to the charm of the book. One overworked author, for example, had a nervous breakdown directly after submitting her chapter. And the well-written introduction puts the novel nicely in context. There are some interesting reflections on how the storyline tied in with contemporary attitudes to "the woman question."I'd recommend the book to anyone fascinated by Victorian times and literature.

0 of 0 people found the following review helpful. A Publisher's Gimmick That Worked Reasonably Well By Alexander Gaya In the 1890s, amid fierce competition, literary publisher Joseph Snell Wood arranged for twenty-four contemporary authors to co-write a novel entitled The Fate of Fenella, a chapter apiece, with no overall pre-planning and with only the previously written chapters as background material. The idea of joint or even group authorship was not entirely new, but having so many co-authors, all acting without direction and without direct collaboration, was unprecedented. The twelve men and twelve women who carried out this scheme did not consider the project as a masterwork, and many seem not to have referred to it in autobiographies and memoirs. The most famous contributor is probably Sir Arthur Conan Doyle (the man behind Sherlock Holmes), with Bram Stoker (the author of Dracula) a close second. The other authors’ fame either never quite materialized or has long since faded; even I, an avid reader and formal student of Victorian literature, did not recognize some of the names given. (No author here was insignificant enough, however, to be forgotten so utterly as to not have a Wikipedia page, and this edition by Valancourt Books kindly provides comprehensive summaries of each author’s life and output.) Its unusual genesis and format aside for a moment, The Fate of Fenella proves to be a fairly engaging read.The basic plot of the work centers around a failing marriage between Lord Francis Onslow and his wife Fenella (a strikingly odd name for a heroine, but I suppose there had been too many Janes and Marys by this time). In retaliation for Lord Francis’s dalliance with a French femme fatale by the name of Madame Lucille de Vigny, Fenella begins her own flirtations, and a disastrous series of events – a murder while sleepwalking, the kidnapping of Fenella’s son, the generous use of fake names, arson at sea, and more – bursts out. It seems that in the absence of collaboration, some contributors gave in to an impish impulse to tweak the nose of the previous chapter-writer by revealing that what seemed to point one way––pointed somewhere else!!! Cliffhangers abound (and some literal cliffhanging) and the soup of turbulent emotions is never allowed to stop bubbling by a reduction in emotional heat. Despite the sensational nature of the plot elements and the supposed “edginess” of some of the writers involved, the narrative is surprisingly conservative and tasteful, with the restoration of domestic harmony as the ultimate prize, a fade into the sunset in which Fenella’s steadfastly self-denying devotee, the lawyer Clitheroe Jacynth (where did they find these names?) is allowed to play a part. The quality of the writing does not vary widely, remaining in what I would term “first-rate second-tier” mode throughout, although some chapters feel more stagey or sentimental than others. Overall the novel delivers exactly what is expected of it – a moderately thrilling read without the unduly subversive undercurrents often found in sensation fiction.This edition by Valancourt Books, an excellent if usually expensive publisher of rare and overlooked Gothic, Victorian, supernatural, and homosexual literature, is fairly typical of their work. The cover is a photograph of the first author, Ellen Reeves (pen name Helen Mathers), which could easily be Fenella herself. The cover design is a bit unconventional, placing the title in very small print and at the top right corner to avoid interfering with the cover photograph. The back cover material is accurate and inviting, the reliability of the text is excellent (Valancourt Books releases are essentially scholarly productions on par with those issued by another favorite publisher, Wordsworth Classics), and the typesetting is pleasing and error-free. A useful and knowledgeable introduction by Andrew Maunder (University of Hertfordshire) prepares the reader for what lies ahead and gives necessary cultural and historical context, although Maunder largely frames the work as valuable for literary-historical purposes alone rather than for enjoyment value, which is a risky categorization in terms of attracting readership. The scholarly notes and author biographies provided are copious and well written. The price is slightly steep, but considering the book’s relative obscurity and the size of the publishing company, it is within the bounds of the reasonable.I recommend this book to scholars and appreciators of Victorian sensation fiction, the serial novel, fin-de-siècle culture, and works that focus on women’s roles and plights in society. Since this is rather a small population, I will also include readers who enjoy fast-paced romances in general.

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The Fate of Fenella, by Arthur Conan Doyle
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